Job: Director of Communications, Arts and Humanities UC San Diego (La Jolla, CA)

Director of Communications, Arts and Humanities
UC San Diego
La Jolla, CA
 

UC San Diego

Director of Communications, Arts and Humanities

Salary Range: Commensurate with Experience 

University Communications and Public Affairs is an award-winning, full-service division dedicated to increasing awareness and spreading the word about UC San Diego’s impact and mission. Department staff work with campus departments to convey the amazing things UC San Diego students, faculty, staff and alumni are doing and help campus departments implement strategies to reach their audience through events, media relations, printed materials, websites and numerous other avenues. Division reports to the Associate Chancellor / Chief of Staff within the Chancellor's Office VC Area.

Independently oversees a comprehensive communications program for a unit or school with a large, complex communications program requiring a wide variety of communications media, including written, visual, digital and electronic, and associated technical applications. Works with management to develop and execute organizational communication and market branding strategy for a highly visible program.

The Director of Communications, Arts & Humanities (A&H), serves as the communications and media relations professional for the Dean – Arts & Humanities and the units reporting to the Dean. A direct report to the Executive Director for Strategic Marketing and Public Affairs (SMPA), the Director of Communications, A&H provides the full range of communications services and advice to the Dean. This position develops communications strategies in coordination with University Communications & Public Affairs colleagues and in sync with UCPA initiatives and A&H needs. Works collaboratively with UCPA and A&H staff and faculty to devise, communicate, and then implement communications strategies.

The Director of Communications, A&H plans and develops proactive and comprehensive communications and media relations for the key programs and initiatives in A&H. Serve as a public affairs advisor and place news and feature material in local, national and international media outlets. Works in collaboration with UCPA colleagues in the development of promotional materials, providing content for highly polished print publications and websites that advance the international stature of UC San Diego Arts & Humanities. Develops and implements communications strategies to reach institutional goals and objectives in corporate relations, donor relations, alumni relations, internal communications and student recruitment. Directs the use of social media in all these objectives, as appropriate. This position pitches A&H news to strategic local, national and international media and aids in the development and implementation of strategies to address sensitive issues and to keep the campus and community informed of advances throughout the A&H Division. As part of the university communications team, the director will focus on four key areas: 1) Strategic Communications, 2) Media Relations, 3) Public Relations and 4) Multimedia, Publications and Production. This position provides strategic planning and implementation of comprehensive strategic communications efforts.

• Occasional evenings and weekends may be required. 

QUALIFICATIONS 

• Advanced knowledge and understanding of all aspects of communications, including strategic planning for various media venues, technical aspects and requirements of various venues, and most appropriate and effective applications.
• Advanced knowledge and understanding of technical applications to direct professional technical staff, or personally perform technical work, including design concepts, various media, and applications.
• Advanced knowledge of the organization, including its mission, vision, goals, policies, and infrastructure; strong knowledge of current affairs and issues in higher education and / or health sciences.
• Advanced skills to create, develop, and implement long and short term strategic communication plans.
• Thorough knowledge of location protocols and channels for communication internally and externally.
• Extensive experience writing about arts and humanities for non-technical publications.
• Public relations experience in an academic environment or in the arts community, or experience as an arts or humanities writer/editor for a national publication.
• Demonstrated excellence in news judgment and strong demonstrated interviewing skills.
• Sophisticated level knowledge of current issues, trends and opportunities in Arts & Humanities and related units.
• Advanced skills to advise and consult management on all aspects of communications, ranging from developing effective communication strategies to appropriately responding to inquiries regarding sensitive or complex issues or information.
• Excellent written, verbal, interpersonal communications, active listening and political acumen skills.
• Proven ability and working experience to edit writing for accuracy and style. Working knowledge of proper English grammar, spelling, punctuation, sentence construction and effective journalistic style.
• Proven ability to write and communicate effectively in a variety of ways (magazine articles, scripts, press releases, reports, speeches, brochures, white papers, talking points, etc.) and in ways appreciate for targeted audiences (media, support groups, legislators, etc.).
• Previous video experience - sound bites, PR video clips, etc.
• Excellent analytical, critical thinking, project management, and problem recognition, avoidance, and resolution skills.
• Proven experience using software including Word, Excel, PowerPoint, etc. and preferred experience using software editing systems (Final Cut Pro or Premiere), animation (After Effects), photo editing, basic web design, blogging and content management tools.
• Proven ability to read and understand arts, humanities, science and technology terms and concepts and then translate it into easily understandable terms for the general public.

SPECIAL CONDITIONS

• Job offer is contingent on a clear background check.

Our employees enjoy competitive compensation packages and educational opportunities in a diverse, stimulating workforce.

This position is eligible for full benefits first day of hire: 

• Health/Dental/Vision Insurance
• Vacation/Holidays (15 vacation days & 13 paid holidays a year)
• Work/Life Balance
• UC Retirement Plan  

For more information about UCSD Benefits visit here and UCSD Work/Life visit here.

APPLY ONLINE:

http://50.73.55.13/counter.php?id=109349

The University of California is an Equal Opportunity/Affirmative Action Employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability, age, protected veteran status, gender identity or sexual orientation. For the complete University of California nondiscrimination and affirmative action policy see: http://www-hr.ucsd.edu/saa/nondiscr.html

Deadline: 10-30-2017

Job: Project Coordinator for Millennial Engagement Museum of Contemporary Art San Diego (San Diego, CA)

Project Coordinator for Millennial Engagement
Museum of Contemporary Art San Diego
San Diego, CA
 

JOB SUMMARY: 

Provide administrative and exhibition installation services for MCASD’s Education Department.  Act as liaison between the Museum and the millennial artist involved in the project, the contractors, and the college and university communities by creating a welcoming environment for visitors to discuss and reflect upon their experiences in the Museum’s galleries.  Support mission and vision of Museum throughout performance of duties.   

To view the complete job description and instructions for applying, please view our webpage at: http://www.mcasd.org/about/job-opportunities/project-coordinator-millennial-engagement

Email:jobs@mcasd.org
Phone:858.454.3541
Address: 1100 Kettner Blvd.
Website: http://www.mcasd.org/about/job-opportunities/project-coordinator-millennial-engagement

Deadline: 10-30-2017

Call for Entries: "Vladmir's Underpants" sonic and visual art needed (Pasadena, CA)

Vladimir’s Underpants

A sonic and media experience on the go
Deadline: September 16, 2017

• Event: Saturday, October 28, 2017
• Location: Old Town Pasadena, CA, 3 public stairwells
• Honorarium: $300 per artist
• Contact: Leonard Rusch, Project Coordinator • LeonardRusch9@gmail.com

Project Overview

NewTown is pleased to announce the Open Call for Vladimir’s Underpants , a sonic and media exhibition in public stairwells of Old Town, Pasadena. It will provide a unique experience for pedestrians, afford invaluable exposure for the artists and provide an opportunity to pair up with a sonic or media artist to create a theater of sound and light in these distinctive spaces.

Project Guidelines

• The work must be new, generated specifically for Vladimir’s Underpants
• Both media and sonic artists will respond to the site and each other’s work and work may be inspired by Russian Constructivist themes of geometry, modernization, and progress.
• We welcome acoustic works, vocal compositions, sound experiments, as well as digital/electronic/synthesized compositions. Small amps are acceptable for instruments, but may not be necessary in the intimate spaces.
• Hand-held, cordless pocket projectors will be used for display , allowing maximum versatility and maneuverability.
• You may submit alone and we will match you up with your partner, or you may find your own pair. NewTown will aid in smooth collaboration between all paired artists.
• Map: The 3 stairwell exhibitions will be within easy walking distance from each other as a ‘stairwell crawl’ and displayed on a map for viewers/listeners to check out all 3 exhibits.
• Special consideration will be given to works with: site-specificity: capitalizing on the unique geometries and dramatic acoustics of the stairwells collaboration and experimentation: inventive and welcoming collaborative concepts interaction: inventive ways the project and stairwell interact with passersby and participants

Audience

Old Town Pasadena is diverse with a mixed use of shoppers, diners, retail and restaurant workers, tourists, homeless people, skaters and NewTown fans. Please consider that your audience may include children, who could be sensitive to content or imagery.

To Apply

Email all questions and materials listed below to Project Coordinator, Leonard Rusch, LeonardRusch9@gmail.com, by September 15, 2017.

1 – Resume and/or brief biography.

2 – One-page project proposal which includes a description of the sonic or video work to be presented and how it will interact with the stairwell space.

3 – A short (2 + minutes) sampling of what the final work will be.

4 – Up to 7 audio samples, images or video links of your past work. Websites may be cited only as
supplemental work samples, not sole documentation

Grant: The GRAMMY Museum has funds for audio preservation projects (Los Angeles)

GRAMMY Museum Grants Program
GRAMMY Museum
 

The GRAMMY Museum is now accepting Letters of Inquiry for their 2018 grant cycle. With funding generously provided by The Recording Academy, the GRAMMY Museum Grant Program awards grants each year to organizations and individuals for audio preservation projects, as well as scientific research efforts. The program's aim is to advance the archiving of the recorded sound heritage of the Americas and to explore the impact of music on the human condition.

Grant funds have been utilized to preserve private collections as well as materials at the Library of Congress, the Smithsonian and numerous colleges and universities. Research projects have studied the links between music and early childhood education, treatments for illnesses and injuries common to musicians, and the impact of music therapy. To date, more than $7 million in grants have been awarded to nearly 400 recipients.

HOW TO APPLY:
A letter of inquiry is required before submission of a full application. To read the guidelines and to submit a letter of inquiry for the 2018 GRAMMY Museum grant cycle, please visit http://www.grammymuseum.org/programs/grants-program. The deadline each year for submitting letters of inquiry is Oct. 1.

Contact: 
Phone: 
Email: 
Website: http://www.grammymuseum.org
Grant link: http://www.grammymuseum.org/programs/grants-program
Deadline: 10-01-2017

Call for Proposals: Alachua County Office of the Public Defender's new building is naked (Gainesville, FL)

The Alachua County Office of the Public Defender has recently completed construction of their new facility located at 151 SW 2nd Avenue in Gainesville Florida. (Exhibit A - location map) It is the hope that this project will enhance the visual quality of the area for users of the building and the general public using SW 2nd Avenue near Main Street and the County Courthouse. Gainesville’s downtown is a combination of a college town with emerging innovation technology commercial centers. The downtown area also has many cultural attributes and activities including art galleries, permanent public art featuring internationally recognized muralists, two nationally recognized street art festivals each year, and monthly art walks. It is the hope that this project and others similar to it will further enhance the cultural vitality of the downtown area.

CITY OF GAINESVILLE/ALACHUA COUNTY ART IN PUBLIC PLACES TRUST
The APPT is a citizen advisory board appointed by the City of Gainesville and Alachua County to manage and oversee the purchase of public art. These projects are funded from a percentage of construction costs of government facilities. The APPT is partnering with the Alachua County Public Defender’s Office to select works for installation. Members of the Alachua County Public Defender’s Office will serve as temporary Trust members for the duration of the project.

LOCATION
There are two exterior walls that would serve well for public art installations. One is a contiguous 3-paneled masonry wall located on the south of the entrance courtyard (Exhibit B Dimensions of the Contiguous Courtyard Walls) and another is the masonry wall adjacent to the building’s main entry and area immediately in front of it (Exhibit C Dimensions of the Entrance Wall Adjacent Entry) (Exhibit D Photographs of both locations).

This call is open to all artists and artists teams, regardless of location, but regional artists are strongly encouraged to participate and will be awarded additional points in the selection process. Regional artists are defined as artists living within a 100 mile radius of Gainesville city limits.

Artists or artist teams are asked to propose works for one or both of the locations. The proposal may include complimentary works that can be installed on both sites. The proposals must be suitable to the scale of pedestrians as well as slower speed traffic traveling along SW 2nd Avenue. The sites are limited in space and heavy traffic is expected, so the Trust will consider proposals that do not impede circulation of the space.

The works should be created of material appropriate to an outdoor environment, must be of suitable construction that will last with minimal maintenance and be appropriate for public viewing. Gainesville, Florida is hot and humid with intense sun and seasonal heavy rain in the summer and the temperature can be in the teens in the winter. Problems with rust and fading should be avoided. Resistance to hurricane force winds is important. The exterior sites for the project will be well traversed and must be of materials that are vandal resistant. Projects must also consider the safety of pedestrians.

Pieces will be selected based on these criteria and at the discretion of the Art in Public Places Trust.

BUDGET
The total project budget for services rendered will include $25,000.00 that will be divided at the discretion of the Trust between the two sites. An honorarium of $500 will be paid to the project finalists to help defray travel or proposal development expenses. Site visitation in advance of the finalists’ presentations to the APPT is encouraged and it is recommended that finalists present in person.

DEADLINES AND IMPORTANT DATES
Monday, August 4, 2017, 5:00 PM — Artist will submit their proposals.

Wednesday, August 16, 2017 — Finalists will be selected and notified.

Wednesday, September 6, 2017 3:30-6:00 PM — Finalists or their representatives are invited to present site specific proposals at the proposal review meeting at the Historic Thomas Center.

Wednesday, September 15, 2017 — Selected artists will be notified and installations will begin.

Wednesday, December 6, 2017 — Art will be completely installed.

A detailed agenda with presentation times will follow as the meeting grows closer. If you are unable to attend the meeting, we can present a PowerPoint of your proposal with you included via Skype or by phone.

PROPOSAL REQUIREMENTS
1. A current professional resume.

2. Your proposal(s) for the Alachua County Public Defender’s Office project, which must include the following:

• Written description and concept of the work(s) and its intended relationship to the goals of the pieces set forth in this request.
• Description of the medium, including all materials and the origin of the materials.
• Description of the method of construction and installation.
• Dimensions of the work.
• Scale drawings and/or model of the sculpture (if model, include a photograph or sketch of the model) and installation details.
• A projected timeline of completion and installation of work.

3. A detailed budget for your proposed artwork, including installation costs and liability insurance for yourself (and assistants, if any) during the installation. Your budget must also provide for publication quality photography of the completed work (to be submitted after installation), in the form of digital images on a CD, flash drive or sent electronically.

Artist proposals and support materials will be reviewed by the Gainesville/Alachua County Art in Public Places Trust Advisory Board selection committee. The selection committee consists of the APPT Advisory Board and Alachua County Public Defender’s Office project representatives (who serve as temporary members of the Trust).

CONTACT INFORMATION
Please feel free to contact us with any questions or for information on completing and sending applications.

Russell Etling, Cultural Affairs Manager
Office: (352) 393-8532
Cell: (352) 316-4628
E-mail: etlingrh@cityofgainesville.org

Mailing for boxes or three-dimensional packaging should be addressed to:
Art in Public Places Trust
City of Gainesville PRCA
Thomas Center-Building A-Rm. 209
Gainesville, FL 32601
Attn: Russell Etling, Office of the Public Defender Project

Residency: The Main Museum has five new studio spaces available (Los Angeles)

The Main Museum in downtown Los Angeles will open five new studio spaces in January 2018 for our artist-in-residence program. With studios located onsite at the museum and monthly honoraria offered to participating artists, our expanded interdisciplinary residency program, which formalizes facets of the current program, furthers The Main's central mission of supporting practicing Los Angeles-based artists.

A variety of disciplines are accepted for the program, which can last anywhere from three to nine months. Artists are invited to use the space as they wish, with no expectation of producing new work, although some residencies may result in exhibitions or public programs.

Applications are accepted now through October 2, 2017 for residencies beginning in January 2018.

More information about the program and how to apply: http://www.themainmuseum.org/residencies/2018-air-applications

Please share the information along to your networks and to anyone you think would be interested in applying.

Thank you,

Samantha Ayson

Marketing & Communications Manager
The Main Museum
411 S . Main St. M-100
Los Angeles, CA 90013

Visit Beta Main at 114 W. 4th St.
themainmuseum.org<http://www.themainmuseum.org/>

Grant: Crayola "Keeping Creatively Alive" grant for work with students (US)

The 2017 program provides grants for innovative, creative leadership team building within elementary/middle schools. Beginning December 1, 2016, submit your application for the opportunity to receive a grant to help build your school's creative capacity. Each grant-winning school (up to 20 grants awarded) receives $2,500 and Crayola products valued at $1,000.

Here's how you can get started now...

• Form a collaborative team to plan innovative ways of infusing creativity throughout the school.
• Brainstorm a leadership program that will enrich the creative capabilities and confidence within the school community.
• Plan how and who will lead this collaborative effort.
• Complete the application.
• Submit application by June 23, 2017 (the principal must be a member of NAESP).
• Receive a gift - every Early Bird application submitted before midnight on Monday, June 5, 2017 will receive a Crayola product Classpack.

In collaboration with the National Association of Elementary School Principals (NAESP), Crayola offers up to 20 grants for schools in the United States or Canada. The applications will only be accepted from principals who are members of NAESP. If you are not the principal, please collaborate with your school's leader to develop the plan. The National Art Education Association encourages their members to partner with their school's principal and colleagues to generate grant proposals.

Schools who received this grant in 2016 will not be eligible to apply for a 2017-2018 grant. Instead, we urge those grant winners to become judges to help score new proposals. 2016 winners may apply again in 2018.

Applications should be sent to creativelyalive@crayola.com or faxed to 610-515-8781, Attn: Anita DeChellis. Applications will be accepted until 12:00 Midnight ET Friday, June 23, 2017.

Email: creativelyalive@crayola.com
Grant link: http://www.crayola.com/for-educators/ccac-landing/grant-program.aspx
 

Call for Proposals: Maiden LA wants the thing you do (Los Angeles)

MAIDEN LA is an inclusive and expansive county-wide survey of art happenings throughout the month of August 2017. The program encourages self-initiation, the use of alternative spaces, and the consideration of the city as a platform for generative discourse and exchange. Maiden LA is an egalitarian program that aims to create an open forum for artists, collectives, curators, galleries, museums, et cetera, to connect and share.

MAIDEN LA--a playful anagram and homophone of ‘Made in LA’--is a call to assemble and host open studios, group shows, performances, or any variety of self-initiated projects in both traditional and unconventional spaces during the month of August.

Artists, organizers, and self-started spaces are encouraged to host an event anytime during the month, and to submit project details for inclusion in an online directory and interactive map. There will also be a limited edition fold-out map that will act as a physical guide to the network.  

SUBMISSION DEADLINE is June 15, 2017 11:59 p.m. PST

Please fill out submission form here

To connect with other participants about potential collaborations, venues, etc., please post to our Community Bulletin Board.

Download a .PDF of the Open Call here

Call for Entry: Mailart needed for Brainworks Gallery's "Huddle" (Los Angeles)

call for Mail/Postcard Art: Huddle
For International artists
 

CALL FOR MAIL/POSTCARD ART

HUDDLE

The #equalityforall mail art show

Hosted by Brainworks Gallery

Curated by Kristine Schomaker
Sponsored by Art and Cake

(submission details below)

From womensmarch.com…

“First, we marched. Now we Huddle. We will gather together in our neighborhoods all over the world to define our next steps, and envision how to transform the energy we saw at Women’s Marches into local and national action.

Huddle (n.) – a small group of people holding an informal conversation”

I was part of a recent huddle in Los Angeles. It was an amazing experience to feel like we aren’t alone in our thinking about the current political climate. We talked about what is going on in our country and what we could do to make a difference.

This is one of my next steps. I am curating a mail art show at Brainworks gallery in August 2017.

Exhibition Dates: August 5th to 18th
Opening reception: August 5th 5-8pm
Brainworks Huddle: Date tbd

Postmark deadline for submissions: July 21, 2017

Eligibility: International

Entry fee: $0

Media: All work must be on 4×6 inch postcard cardstock format and sent through the post office mail. Any work not following these guides will not be used.

Theme: Huddle. You are not alone. Show us how you #resist. We want to hear your voices.

Sales: All work is donated to the show and sold for $25 each. 100% of proceeds will be donated equally to the ACLU, Planned Parenthood and the Trevor Project.

(We are looking into having the show travel. You will not be getting your work back.)

We reserve the right to exclude work that we deem inappropriate.

Submit to:
Kristine Schomaker
c/o Brainworks Huddle
PO Box 86422
Los Angeles Ca 90086

Please share a photo of your postcard on instagram before you send it and use hashtags: #brainworkshuddle #womensmarch #huddle #resist #hearourvoice #whyimarch #imarchforequality #freedom #onelove #humanrights #wewontgoback #theresistance

Thank you for sharing your voices!!

Follow Art and Cake, Brainworks Gallery and Shoebox PR to keep up with the latest information on our HUDDLE.

Deadline: 07-21-2017
Brainworks Gallery
Los Angeles, CA

Contact: Kristine Schomaker
email: shoeboxpr@gmail.com
Phone: 661.317.1069
Website: https://shoeboxpr.com/2017/02/22/call-for-mail-art-huddle-at-brainworks-gallery/

Call for Entry: Feevale University's Cultural Space needs mailart for "(DIS)BORDERS" (Brazil)

CALL (DIS)BORDERS INTERNATIONAL EXHIBITION OF VISUAL POETRY

Wherever you are, send us a visual poetry, a postal artwork, a postcard poetry, a concrete poetry-artwork, undo barriers, dissolve the borders and make part of this international exhibition.

Theme: (DIS)BORDERS

Types of art: any

Technique: It’s about sending by post a work that can be a poetry, a visual production, or what you understand by visual poetry. Write, paint, draw, paste, sew, print, photograph! The materiality must be necessarily sent by mail, without a stamp, it doesn’t fit.

Send it until August 2 nd, 2017.

Send to the address:

FEEVALE Theather (Cultural Space)

ERS-239, n° 2755

Câmpus II – Feevale University

Zip Code: 93.548-48

Novo Hamburgo, RS, Brazil

Including your fullname, City, Country, email and the title: (DIS)BORDERS

* There is no selection. The works wont be returned. All the works received will be exposed and will make part of a digital catalogue.

** The exhibition will take place at Feevale Cultural Space, from 04/09 to 05/11/2017.

Production: FEEVALE Cultural Space, PET

Support: FEEVALE Theather, Circular Project, LAMM, Arte na Escola

Achievement: Feevale University

Call for Submissions: 2018 College Art Association Conference Proposals

CAA and the Annual Conference Committee invites proposals and projects of interest to its members and varied audiences. Submissions that cover the breadth of current thought and research in art and art practice, art and architectural history, theory and criticism, studio art, pedagogical issues, museum and curatorial practice, conservation, design, new media, and developments in technology are encouraged. https://caa.submittable.com/submit

The 2018 CAA Annual Conference will be in Los Angeles, February 21-24. The Annual Conference Committee will accept the following proposals for review: Complete Sessions, Sessions Soliciting Contributors, and Individual Paper/Project proposals. All sessions will be 90 minutes in length at CAA 2018. Please plan accordingly. For full details on the submission process for the conference, please review the information below and on the individual submission pages.

PROPOSAL SUBMISSION TYPES Session Soliciting Contributors

SUBMISSION DEADLINE: April 17, 2017

The Session Soliciting Contributors option allows a submission for a full session (90 minutes in length) with yet-to-be identified speakers and papers/projects. If selected, such sessions will be included in the call for participation (CFP) which opens June 30. Individual Paper/Project SUBMISSION DEADLINE: April 17, 2017

Individual Paper/Project proposals (15 minutes in presentation length) may be submitted for review. No specific theme is required. The Annual Conference Committee will review and select paper/project proposals based on merit and group approved submissions into Composed Sessions of up to four participants. A liaison from the Annual Conference Committee will be identified for each Composed Session to assist with the format and to help identify a session chair or moderator. 

SUBMISSION DEADLINE: April 24, 2017 The Complete Session option allows a submission for a complete panel (90 minutes in length) pre-formed with participants and papers/projects chosen in advance by session chairs. This session requires advance planning and information gathering by the chair(s). Affiliated Societies

SUBMISSION DEADLINE: April 24, 2017 Each Affiliated Society may submit either one Complete Session proposal (90 minutes in length) pre-formed with participants and papers/projects chosen in advance or one Session Soliciting Contributors proposal (90 minutes in length) to be included in the CFP which opens June 30. A note of approval from the Affiliated Society chair must accompany the submission. This session will be guaranteed and will be identified as an Affiliated Society session in all CAA publications.

GENERAL SUBMISSION GUIDELINES --All sessions will be 90 minutes in length at CAA 2018. Please plan accordingly. --All session proposals must be completed and submitted online. --To submit a proposal, individuals must be current CAA members. All session participants, including presenters, chairs, moderators, and discussants, must also be current individual --CAA members. Please have your CAA Member ID handy as well as the member IDs of any and all participants as this is a required field on the submission form. Please note that institutional member IDs cannot be used to submit proposals. If you are not a current member, please renew your membership or join CAA. --All session participants must also register for the conference. Online registration for CAA 2018 will begin October 2, 2017. Early conference registration will end December 15, 2017 and advance conference registration will end on February 7, 2018. Early and advance conference registration fees will not change from CAA 2017, New York. --CVs are required for panel proposals where the chair and, if applicable, the co-chair are known. --Session and paper/project abstracts should be no more than 250 words in length. --The accuracy of information entered into the proposal form (e.g. spelling of names, affiliations, titles) is important as it will be pulled directly from this database for conference publications such as Abstracts 2018 and the conference website. --The Annual Conference Committee makes its selections solely on the basis of merit and works to create a balanced program. Where proposals overlap, CAA reserves the right to select the most considered version or, in some cases, to suggest a fusion of two or more versions from among the proposals submitted. --If their proposals are accepted, CAA members may participate in session panels in consecutive years.

Application Instructions / Public Contact Information

For more information about session proposals for the 2018 Annual Conference, please contact Katie Apsey, CAA manager of programs, at 212-392-4405 or Tiffany Dugan, CAA director of programs, at 212-392-4410.

Grants: City of West Hollywood has funds available to/for transgender artists (Los Angeles, CA)

OPEN - TRANSGENDER ARTS INITIATIVE GRANT- Transgender Arts Initiative Grants are a pilot program initiated by City Council intended to support and enhance artwork to be presented or exhibited in West Hollywood by transgender artists or nonprofit organizations with a history of supporting transgender individuals. The maximum award any individual artist or artist collective may receive under this grant is $3,000. The maximum award any 501(C)(3) nonprofit organization may receive under this grant is $5,000. All proposed projects funded under the Transgender Arts Initiative Grant must be completed or in progress by June 30, 2017.

• Transgender Arts Initiative Grant [Online Application]

Call for Proposals: Paper Presentations, Demonstrations or Workshops for the International Mokuhanga Conference (Hawaii)

Workshop and Demonstrations Guidelines:

1. Demonstrations and workshops must be related to mokuhanga, Japanese woodcut printmaking.
2. Each presentation will be limited to a maximum of two hours including translation.
3. The presenter must bear the cost of required tools and materials. Work tables will be provided.
4. Selected presenters are expected to pay the Conference Registration fee.

To make a proposal, please submit the following:  

1. An outline of 300 words describing the workshop or demonstration in English or Japanese.
2. Three digital images in JPEG format, maximum file size 1MB each
3. Applicant’s biography (100 words)
4. Applicant’s passport-size portrait in JPEG format

Paper Presentation Subjects:

1. Mokuhanga History, Philosophy & Society
   
   This topic concerns the incorporation of mokuhanga in universities and community workshops, providing insight into cross-cultural issues. A study of this traditional Japanese technique can create a better understanding of Japanese history, society, gender and the concept of ‘the artist’ in Japanese culture.
    
2. Bridge-building: Educational Mokuhanga Practice, International Exchange & Residency Programs
   
   For artists, educational practices that cultivate traditional and contemporary mokuhanga techniques can include information about international exchanges and residencies that expand horizons and inspire a younger generation of artists. While originating in Japan, mokuhanga can be seen as a vehicle for international exchange.
    
3. Contemporary Mokuhanga
   
   Mokuhanga today has expanded across the world, and has changed to become more relevant to contemporary artists. This topic encompasses innovative artwork inspired by the technique or imagery of mokuhanga as well as work that expands mokuhanga into hybrid techniques such as installation and performance.
    
4. Materials Suppliers
   
   The disappearance of traditional materials and their distribution network of small shops has created a challenge for artists looking for appropriate mokuhanga materials. Today new business relationships and new kinds of distribution networks are being created for tools, paper and other materials for the international community of mokuhanga artists.
    
5. Art Markets and Mokuhanga
   
   This topic addresses the changing viewpoints of galleries and print collectors whose experiences have evolved within today’s global art market, and the challenge of adapting the art market to the interconnected world.
    
6. Local Practice: Mokuhanga in Hawaii and the Pacific Coast
   
   An opportunity to look at the specific combination of cultural influences from East and West that have made Hawaii and the U.S. Pacific Coast so hospitable to a new vision of mokuhanga.
    
7. Mokuhanga, the Environment & Social Changes
   
   The technique of mokuhanga perfectly suits the growing focus on safe environmental practices that reflect new notions about sustainability in an age of climate change. Today’s print shops and schools can benefit from the non-toxic aspects of 19th century mokuhanga technology to resolve concerns about toxicity. This topic also concerns the importance of preserving hand skills in the digital age, benefitting individual artists as well as the environment.
    
8. Artist’s Presentations
   
   This topic offers an opportunity for individual artists to present their own innovative and conceptually based mokuhanga artwork. Both emerging and established artists are encouraged to share their unique approaches to mokuhanga in their contemporary practice.

Guidelines:

1. Only papers that cover one of the above subjects are eligible.
2. Papers must be in English or Japanese and under 3000 words. Papers may include images.
3. The oral presentation of a paper will be limited to a maximum of 20 minutes.   Extensions will not be allowed.
4. Presenters must submit the presentation’s full text in advance to be published in the Conference Proceedings book. The deadline for full text submissions will be announced after the presenters have been selected.
5. Selected presenters are expected to pay the conference registration fee.

Checklist for Paper Presentation Proposals:

1. A 300 word abstract of the conference paper in English or Japanese formatted in Word or equiavalent
2. Presenter’s biography in 100 words
3. Passport size photo of the presenter
4. Entry Form for Submission:Paper Presentation

Deadline March 31, 2017

More info and apply here

Jobs: Armory Seeks FT Communications Department Associate (Los Angeles, CA)

Under the supervision of our Communications Director, you will perform and support day-to-day graphic design, media production, administrative, and PR tasks at Armory Center for the Arts — a nonprofit, contemporary arts center in Old Town Pasadena. Ideal candidate is a relatively-recent design or communications/marketing graduate with 1-2 years relevant experience. In addition to media production, candidates who can also demonstrate superlative writing skills within a sales and marketing context are highly desirable. Learn more and apply here. 


 

Call for Entries: "Waging Peace" (Tallahasse, FL)

Waging Peace!

This exhibition is conceived in the spirit of Picasso's Guernica. The selection committee, a committee of educators, is seeking artworks that comment on an active striving toward peace in some way. Peace represented by pastoral scenes, tranquility, heaven, or cliched symbols will not be accepted. Color catalogue. Exhibition is scheduled for May 11 to July 8, 2018. Website:  details, entry form.

No entry fee.
Deadline: 01-31-2017
Florida State University Museum of Fine Arts
Tallahassee, FL

Contact: Viki D. Thompson Wylder
email: vwylder@fsu.edu
 

Job: Full-time Editorial Content Manager for Alvin Ailey American Dance Theater (New York, NY)

One of the world’s leading dance companies is seeking a self-motivated and detail-oriented team player with superior writing, editing, and proofreading skills. Reporting to the Senior Director of Marketing and Creative Content, this position has a central role in Ailey’s digital and print communications. She/he will work with artists and staff from all areas of the organization, including its two performing companies – Alvin Ailey American Dance Theater and Ailey II – as well as The Ailey School, Ailey Extension, and Ailey’s Arts In Education and Community Programs. Responsibilities include: • Working collaboratively with staff in all departments to develop content that reflects the multi-faceted nature of the Ailey organization and creates connections among program areas • Publishing relevant, original, high-quality content on Ailey’s social media channels, which currently include Facebook, Instagram, Snapchat, YouTube and Vimeo • Managing the work of other contributors to Ailey’s social media channels • Monitoring and responding to comments and questions posted on Ailey’s social media channels • Evaluating social media analytics on a regular basis to inform ongoing strategy • Working with Ailey’s digital marketing team to devise social media ad campaigns • Generating email content for monthly newsletters and targeted campaigns • Creating or updating content on Ailey’s website • Writing/editing content for Ailey print publications, including season brochures and souvenir programs • Ensuring consistency in ‘voice’ for all external communications; maintaining house style guide While primarily working Monday to Friday, the person who takes this job must be willing to monitor and respond on Ailey’s social media channels over the weekend. She/he must also be available to work at night for Ailey’s two New York gala benefits and some NYC performances, as needed. Experience and education: • At least 4 years of experience in copywriting/editing and/or social media • Prior experience at another non-profit preferred • Knowledge of and appreciation for dance in general and the Ailey organization in particular • Photoshop and video editing skills are a plus • Bachelor’s degree Compensation: Competitive salary with full benefits that include health/dental insurance, Flexible Spending Account, 403(b) retirement plan, and savings on transit/parking. Job starts Tuesday, January 3, 2017, with some days for transition to be arranged in December 2016.

Application Instructions / Public Contact Information

To apply for this position, please send the following to marketingjobs@alvinailey.org: • A cover letter summarizing your relevant experience • A one-page resume • Contact information for two references NOTE: Submissions will only be accepted via email; no phone calls or mail submissions. Also, due to the volume of submissions, we are unable to write back individually to everyone who sends in a resume. We will only be in contact if we think you are a strong candidate for this job.

Call for pitches: Art Practical's "Art and Citizenship"

Art Practical is seeking pitches for our fall 2016 thematic issue focused on the subject of art and citizenship. We are particularly interested in how citizenship relates to political and economic systems as they intersect with artistic practices, institutions, and diverse publics. We encourage thoughtful reportage and deep critical thinking around artistic production but also the lived experience of creative practitioners as civic leaders and community members.

We seek essays, interviews, and experimental prose that engage the multitude of ways art critics, artists, and writers approach the subject of art and citizenship. Art Practical respects academic forms and delights in sassy mainstream banter but solicits pitches that balance analytical research with an accessible tone.

Send your pitches to kara@artpractical.com by September 26, 2016. Please use the subject line “Citizenship Pitch" and include topic idea (100-200 words), proposed article length/composition, and 2-3 writing samples (if you have not previously written for Daily Serving or Art Practical).

If your pitch is accepted an editor will be in touch to discuss details, deadlines, and writer's fee.

Art Practical is the leading magazine for the Bay Area visual arts, sparking dialogue in the community by providing nuanced critical commentary and formative public programming. Since its launch in October 2009, it has promoted the Bay Area's role in the international art scene, created an archive of its contemporary artistic practices, and fostered its artistic production through its publication. Our thematic issues have probed topics ranging from labor to poetry to punk rock. Contributors include Michelle Grabner, James Franco, Aruna D’Souza, Kevin Killian, and Constance Lewallen. Info here

Call for Writers: Paid Fellowship at Bitch Media for Feminist writers

Bitch Media, an independent, nonprofit feminist media organization now in its 20th year, is pleased to announce the Bitch Media Fellowships for Writers, a series of three-month intensive writing fellowships whose goal is to develop, support, and amplify emerging, diverse voices in feminist, activist, and pop-culture media. The program will be directed by Bitch cofounder Andi Zeisler. 

Bitch Media’s mission is to provide and encourage an engaged, thoughtful response to mainstream media and pop culture. We strive to be a fresh, revitalizing voice in contemporary feminism, one that welcomes complex arguments and refuses to ignore the contradictory and often uncomfortable realities of life in an unequivocally gendered world. We publish the award-winning magazine Bitch: Feminist Response to Pop Culture, daily online articles and opinions, weekly podcasts, and offer lectures and workshops around the world through Bitch on Campus.

We are pleased to kick off the second year of our fellowship program. We seek fellows who are passionate, engaged, and interested in developing their unique voices for these four fellowships, each of which pay a stipend of $2,000 for the three-month period.

Fellows will work with Bitch Media during one of the following four quarters:

• January 1 – March 30
• April 1 – June 30
• July 1 – September 30
• October 1 – December 31

Fellows will work in one of four subject areas during the fellowship period:

• Reproductive rights & justice
• Pop-culture criticism
• Technology
• Global feminism 

During the 3-month fellowships, our fellows will:

• Produce a minimum of six online articles for Bitch Media in the topic area of their fellowship. These pieces can take a variety of forms: reported, analytical, advocacy-focused, even infographic, and are least 600 words in length.
• Produce at least one longform article to be published in the quarterly magazine Bitch: Feminist Response to Pop Culture. 
• Participate in biweekly discussions (by phone or Skype if fellows cannot meet in person) with the fellowship director and other members of the Bitch Media staff.
• Receive mentorship and support in creating, shaping, and editing articles and blog posts.
• Receive follow-up support with placing future articles and essays, and make great connections within the feminist-media community.
• Have access to the Bitch Media library, which houses more than 2,000 books on feminist theory and activism; gender, race, and queer studies; pop-culture criticism, and social-justice history.
• Receive a $2,000 stipend for the three-month fellowship.

Who should apply?

This fellowship was created in order to cultivate and amplify new voices. If you are a writer who has minimal publication experience, we strongly encourage you to apply. If you are passionate about one of the above subject areas but do not have a history of writing or blogging about them, we strongly encourage you to apply. If you are a writer still figuring out what subjects obsess you, we strongly encourage you to apply. 

This is not a full-time position, but an independent fellowship designed for writers who want to develop confident, well-rounded voices and are particularly interested in feminist criticism and mission-driven journalism. Fellows may be based globally, and U.S. citizenship or residence is not required to be a fellow. Writers who have contributed to Bitch before will be considered on a case-by-case basis.

Bitch Media is an independent 501(c)3 organization and an equal-opportunity employer. We seek a variety of perspectives and encourage applications from qualified writers of any age, race, color, gender, religion, ancestry, disability, marital status, and sexual orientation. We hope that our fellows will be able to find a community among their co-fellows and the staff of Bitch Media.

Applications due September 15, 2016 and can be found here

Ryman Arts Position Open: Development & Communications Manager

DEVELOPMENT AND COMMUNICATIONS MANAGER

Join Ryman Arts as it celebrates 25 years of service in Southern California and its recent expansion to two program sites in Los Angeles and Fullerton. Ryman Arts is meeting a vital need to foster the education of young artists by providing professional fine arts classes and college and career planning, free of charge, to gifted teen artists. Ryman Arts has been designated a National Program of Excellence by the President’s Committee on the Arts & Humanities for the past three years. Almost all alumni continue on to higher education and many pursue careers in the arts.  The sequential curriculum provides college-level foundation courses in drawing and painting in a rigorous and supportive environment for 600 high school students each year, and extensive outreach in high-need communities in LA and Orange County. Classes are held on the campuses of Otis College of Art & Design and California State University, Fullerton. Ryman Arts also coordinates the annual international drawing festival, The Big Draw LA, a public arts engagement initiative.  For more information, please visit www.rymanarts.org.

The Development and Communications Manager implements fundraising and communications strategies with a long-range goal of generating diversified, sustainable income and increasing its public profile to enable Ryman Arts to achieve its mission. The Development and Communications Manager writes extensive materials for grants and internal and external publications, including print, web, and social media.  This individual ensures that Ryman Arts’ image and “brand” are consistently maintained and well represented in the community, and seeks opportunities to build awareness of Ryman Arts. This individual works closely with the Executive Director, Board, other staff and consultants to ensure that fundraising and public communications are coordinated throughout the organization. This is a full time position reporting to the Executive Director. Office is located in Los Angeles.

Comprehensive benefits include employer paid health insurance, paid vacation, holidays and sick time, and eligibility for employer contribution to 403(b) retirement plan.

Full Position Posting available here: http://www.ryman.org/aboutrymanarts/jobs.stm?http://www.ryman.org/aboutrymanarts/jobs.stm

To apply, submit cover letter, resume and professional writing sample by mail to:

Ryman Arts

Development & Communications Manager Search

315 W. Ninth St., Suite 806

Los Angeles, CA 90015

Selected candidates will be contacted for an interview, position is open until filled.