Non-profit

Grants: Arizona Coyotes Foundation Arts & Culture Grants (Arizona)

Arizona Coyotes Foundation

Core grantmaking priorities include: Arts and culture; cultural arts programs for children designed to provide opportunities for hands-on creativity, development their artistic awareness and potential, and sharing in vital cultural currents of a community; civic affairs; sports programs for children and youth that encourage physical activities, exercise, teamwork, confidence, goal setting, and a healthy lifestyle through community outreach, organized sports, or mentorship programs; education; youth education programs; after-school programs designed to better equip them for the future; healthcare organizations; prevention and wellness programs for children and youth that focus on the health and well-being of youth through enhancing community awareness, disseminating information, providing support, and treatment or preventative care.

Organization/Company: Arizona Coyotes
Website: https://www.nhl.com/coyotes/community/foundation
Location: Phoenix, AZ
Deadline: July 31, 2019
How to Apply: Apply at https://www.nhl.com/coyotes/community/foundation


Deadline- July 31, 2019

Job: Side Street Projects needs a PT Communications Manager (Los Angeles)

Communications Manager (Part-time)

Reports to Director of Operations/Executive Director

TASKS:

-Oversee website

-Manage and maintain online presence

-Procure program information from managers on an appropriate timeline

-Update website/social networking

-Design and send email blasts

-Oversee design of fliers and printed materials

-Determine and ensure execution of marketing strategies for all SSP programs

-Maintain a consistent visual identity based off style-sheet

-Oversee creation of creative storytelling/documentation strategies

-Ensure programs are properly documented/marketed/visually branded

-Manage photo, press and print archives

-Manage & oversee online artist resources

-Oversee Mailchimp and build email list

REQUIRED SKILLS:

-Proficient in Adobe Creative Suite -Strong written and oral communication
skills

-Understanding of current marketing strategies across various social media
platforms

-Familiarity with Squarespace platform

-Understanding of grid layout and style sheet execution

-Strong time management and organization skills

-Video editing skills

-Ability to operate a digital camera

-Basic HTML CSS understanding preferred

-Bilingual (written/spoken) preferred

ABOUT US:

Side Street Projects is an entirely mobile artist run organization. Our
mission is to give artists of all ages the ability and means to support
their creative endeavors. All of our programs connect professional artists
directly to communities.

We teach children design and fabrication through a mobile tool-based
program “The Woodworking Bus”. We present community based Socially Engaged
Artist Projects at our temporary headquarters; and off-site in
collaboration with local businesses and government agencies. These projects
are integrated into the free community programming offered on Saturdays. We
provide support services to artists with programs including a
Best-Professional Practices Podcast Series, Skill Share Workshops, and an
Equipment Co-Op.

OFFICE CULTURE:

Side Street Projects is run by a strong community of artists who are
committed to rolling up our sleeves and supporting the mission of the
organization, which includes supporting each other. We are casual but
efficient, and committed to social justice. Everything that we do
encourages creative problem solving and self-reliance within a contemporary
art context, which is reflected in our unusual operating model. Our offices
are restored vintage trailers, our communication systems are 100% wireless,
and it all runs on a mobile solar energy array. It is a little like camping
here. We have a port-o-potty and our water is trucked in. Staff has access
to our equipment co-op including our wood shop. Artists are encouraged to
use our resources to further their own art practice.

Hours can potentially be supplemented with teaching in our youth education
program.

COMPENSATION:

20-25 hours/week $20/hour starting

2 month probationary period

5 days paid vacation per year

3 sick days per year

Staff reviews every June

Start Date ASAP

TO APPLY: Email resume, cover letter and work samples in a single PDF by
July 1st, 2019 to hiring@sidestreet.org

Job: Associate Director of Education for K-12 and Family Programs Bowers Museum (Santa Ana, CA)

JOB Opening: Associate Director of Education for K-12 and Family Programs
Bowers Museum, Santa Ana, CA (www.bowers.org

An exciting opportunity for the right, motivated Museum Educator to stretch their wings and help refine and enrich K-12 Education & Family Programs at the Bowers Museum and Bowers Kidseum! 

http://www.bowers.org/index.php/information/opportunities http://www.bowers.org/index.php/information/opportunities 

Associate Director of Education for K-12 and Family Programs: 
Job Summary: 
The Associate Director of Education for K-12 and Family Programs plays a vital role in the museum's Education Department assisting in the development, implementation, and assessment of year-round programs for school-age and family audiences, particularly overseeing and participating in day to day operations for Kidseum, the Bowers Museum’s satellite children’s museum. 
Reporting to the Senior Director of Education, the Associate Director of Education for K-12 and Family Programs' responsibilities include daily hands-on management of Kidseum and its staff, K-12 program refinement including the Afterschool Learning Center, and the Teen Arts council. Assist in the development of interpretive materials for school programs; participating in docent training and teacher professional development; recruiting, mentoring and supervising interns as necessary; providing up to date reports for grants with hands on involvement in grant development in partnership with the museums’ grant writing team, and keeping current with museum education best practices and theory. The Associate Director of Education for K-12 and Family Programs works closely with the Education team, as well as with the Collections and Exhibits departments to coordinate special exhibition installations and exhibit management at Kidseum. 
Minimum Qualifications: 
 Graduate Degree preferred in Museum Education, Museum Studies, Art History, Art Education or closely related subject or equivalent combination of education and extensive experience in museum work with demonstrable interest in arts administration, Art, History, Art History, and/or Youth and Family program management. 

 3-5 years museum experience or similar cultural organization, including management responsibilities, in developing and planning programs and supervising individuals, teams and projects. 

 Demonstrated knowledge of art history and studio art, especially cultural art, and knowledge and understanding of current practices in art education, museum work, and theories of education and learning

 Knowledge of a wide range of artistic processes, materials, and tools

 Strong organizational, and management skills

 Proficiency with Microsoft Office, and familiarity with online and social media

 Excellent verbal, writing and public speaking skills for diverse audiences, including students, educators, and community leaders

 Knowledge of the needs of art teachers and other educators, including K-12 educators Common Core State Standards, and California State VAPA standards

 Knowledge of Visual Thinking Strategies teaching methods and Play-based early childhood models of instruction (i.e. Montessori, Reggio Emelia, Waldorf, etc.) 

 Experience in using new technologies to deliver educational content

 Demonstrated history of developing and implementing art-making assignments for various groups
Preferred Qualifications: 
 Experience in marketing, including social media, print media, email newsletters, and other digital content

Classroom teaching experience with single or multi-subject credentials



To apply, send your resume to HumanResources@Bowers.org; no phone calls please. 

Residency: Ox-Bow School of Art and Artists' Residency (Saugatuck, MI)

Ox-Bow MFA and Arts Faculty Residency Program

 

Ox-Bow, School of Art and Artists' Residency, located in Saugatuck, MI, offers courses, workshops, and artist residencies for students and artists at all stages in their career. In the summer MFA candidates and recent graduates and Arts Faculty residents can take advantage of the Ox-Bow community, which includes faculty, visiting artists and students.

The MFA and Faculty residencies provide:

·       Private Studio (raw studio space, classroom studios not available)

·       Private room

·       Meals

·       Access to visiting artists and faculty for studio visits

·       Evening artist lectures

·       Opportunities to share work: slide presentations and/or readings and open studios

We are happy to announce Ox-Bow has furthered its commitment to the needs of artists by no longer charging fees for the residency program (including application, room & board, and residency fees). All accepted residents will be fully funded. Artists may apply for additional stipends to help pay for the cost of travel, supplies, and time away from work.

To find out more about the program visit our website.  Interested in spending an extended time at Ox-Bow? Check out the LeRoy Neiman Foundation Fellowship program or consider applying for the fall residency program.

Residency applications are accepted online and there is no fee. If you have questions about our programs or application contact us at ox-bow@saic.edu

 

Deadline or Post Expiration: Thursday, February 1, 2018

Contact Name: Annie Fisher

Contact Email: ox-bow@saic.edu

Contact Phone Number: 1-800-318-3019

Ox-Bow, School of Art and Artists' Residency

Call for Artists: Expressions of Clinician Well-Being and Burnout (Washington D.C.)

Expressions of Clinician Well-Being and Burnout
For International artists
 

The National Academy of Medicine is calling on artists of all kinds to explore what clinician burnout, clinician well-being, and clinician resilience looks, feels and sounds like to people across the country.  nam.edu/ExpressClinicianWellBeing

Clinician burnout can have serious, wide-ranging consequences, from reduced job performance and high turnover rates to—in the most extreme cases—medical error and clinician suicide. On the other hand, clinician well-being supports improved patient-clinician relationships, a high-functioning care team, and an engaged and effective workforce. In other words, when we invest in the well-being of clinicians—doctors, nurses, pharmacists, dentists, medical trainees, and more—everyone wins.

Supporting clinician well-being requires sustained attention and action at organizational, state, and national levels, as well as investment in research and information-sharing to advance evidence-based solutions. More broadly, sustained change requires diverse, collective action and the experiences and voices of many.

Use any art form to show us what clinician burnout, clinician resilience and/or well-being means to you. Whether it’s a depiction of how you de-stress from a busy day, how you feel when taking care of patients, or a picture of your favorite clinician, show us—what does clinician well-being look, feel, and sound like to you? Everyone has a stake in this issue—what’s yours?

The well-being of our clinicians impacts everyone. This art show will promote greater awareness and understanding of barriers to clinician well-being—and solutions that promise a brighter future. 

Your art could be featured in a permanent online gallery and/or an in-person show hosted by the National Academy of Medicine in May 2018.

View submission requirements and submit your piece at nam.edu/ExpressClinicianWellBeing



Deadline: 02-16-2018
National Academy of Medicine
Washington, DC

Contact: Kyra Cappelucci
email: KCappelucci@nas.edu
Phone: 
Website: nam.edu/ExpressClinicianWellBeing

Job: Museum Curator I California African American Museum (Los Angeles, CA)

Museum Curator I
California African American Museum

Los Angeles, CA
 

Under the supervision of the Curator of History and Program Manager, the Museum Curator participates and will take the lead in managing exhibitions, collecting objects, providing information about provenance and interpretation. The Museum Curator I will research a wide range of evidence, including documentary research, oral interviews and photographic research. 

25% Plans and implements the display of Museum collections and exhibitions.

25% Coordinates public relation activates and fund raising proposals in relationship to the museum collection and exhibitions, and assists in preparing budgets and schedules accordingly.
        
15% Participates and, as assigned, takes the lead in designing and implementing museum based educational materials and programs associated with exhibitions.
            
15% Assists in solidifying and maintaining exhibition partnerships with other museums.

10% Assists in solidifying and maintaining partnership with other cultural Institutions.

5% Staff special events as needed

5% Other assignments as required.



Contact:Tyree Boyd-Pates
Email:tboydpates@caamuseum.com
Address: 600 State Drive
Website: CAAM.org

Deadline: 10-15-2017

Call for Entries: "Vladmir's Underpants" sonic and visual art needed (Pasadena, CA)

Vladimir’s Underpants

A sonic and media experience on the go
Deadline: September 16, 2017

  • Event: Saturday, October 28, 2017
  • Location: Old Town Pasadena, CA, 3 public stairwells
  • Honorarium: $300 per artist
  • Contact: Leonard Rusch, Project Coordinator • LeonardRusch9@gmail.com

Project Overview

NewTown is pleased to announce the Open Call for Vladimir’s Underpants , a sonic and media exhibition in public stairwells of Old Town, Pasadena. It will provide a unique experience for pedestrians, afford invaluable exposure for the artists and provide an opportunity to pair up with a sonic or media artist to create a theater of sound and light in these distinctive spaces.

Project Guidelines

  • The work must be new, generated specifically for Vladimir’s Underpants
  • Both media and sonic artists will respond to the site and each other’s work and work may be inspired by Russian Constructivist themes of geometry, modernization, and progress.
  • We welcome acoustic works, vocal compositions, sound experiments, as well as digital/electronic/synthesized compositions. Small amps are acceptable for instruments, but may not be necessary in the intimate spaces.
  • Hand-held, cordless pocket projectors will be used for display , allowing maximum versatility and maneuverability.
  • You may submit alone and we will match you up with your partner, or you may find your own pair. NewTown will aid in smooth collaboration between all paired artists.
  • Map: The 3 stairwell exhibitions will be within easy walking distance from each other as a ‘stairwell crawl’ and displayed on a map for viewers/listeners to check out all 3 exhibits.
  • Special consideration will be given to works with: site-specificity: capitalizing on the unique geometries and dramatic acoustics of the stairwells collaboration and experimentation: inventive and welcoming collaborative concepts interaction: inventive ways the project and stairwell interact with passersby and participants

Audience

Old Town Pasadena is diverse with a mixed use of shoppers, diners, retail and restaurant workers, tourists, homeless people, skaters and NewTown fans. Please consider that your audience may include children, who could be sensitive to content or imagery.

To Apply

Email all questions and materials listed below to Project Coordinator, Leonard Rusch, LeonardRusch9@gmail.com, by September 15, 2017.

1 – Resume and/or brief biography.

2 – One-page project proposal which includes a description of the sonic or video work to be presented and how it will interact with the stairwell space.

3 – A short (2 + minutes) sampling of what the final work will be.

4 – Up to 7 audio samples, images or video links of your past work. Websites may be cited only as
supplemental work samples, not sole documentation

Residency: The DoSeum has money for their artists-in-residence (San Antonio, TX)

The DoSeum seeks to partner with professional mid-career artists who revel in the challenges of creating socially engaged works of art that allow children and their families exposure to Contemporary Art. By interacting with the artist’s work, children will appreciate both artistic process and product permitting the experience to connect them, through the arts, with STEM and Literacy themes.

In particular, the 2018 Artist(s)-in-Residence will become key members of The DoSeum’s Tricentennial Team, and will contribute their work to our Summer 2018 Tricentennial exhibit. As the only museum poised to celebrate the 300 years of San Antonio with a forward look at the future, this exhibit will empower visitors to imagine their desired future, and then begin to practice the skills necessary to achieve their future. We are specifically looking for local and regional artists who are prepared to engage the public with experiences that help our guests reflect on what we all want for our future and what we can each contribute to building that future together.

Lots has been written about 21st Century skills-- that wide range of skills that we consider necessary for a happy and successful future. For the Tricentennial exhibit, these skills have been pared down to include the following ones that we wish to engage our guests with. Potential artist(s)-in-residence and their work should respond to one or some of these skills: Problem-solving, Maker-based and DIY approaches, Actions & Consequences, Forecasting, Decision Making, and Empathy.

Additional information that will aid in understanding what we have in store for our Tricentennial Exhibit are the following goals for the project. When visiting the exhibit, guests will:

*Understand how problems are solved in many different ways over time.
*Have imagined their vision of the future and seen this vision as important and relevant.
*Have collaborated and communicated together to create the best possible future.
*Have practiced the skills necessary to achieve their vision of the future.
*Feel empowered that their vision of the future could happen.
*Want to get involved with the city’s future through different organizations and civic participation.
*Eligibility

Winning Projects

The DoSeum’s arts committee and staff will convene to review and select from the received proposals with the possibility of artists having the opportunity to present personally in front of a convened committee. We encourage ambitious, yet realistic, project proposals that aim to engage children and their families in ways that fulfill the museum’s mission and vision as well as the Tricentennial exhibition standards and objectives. The DoSeum highly encourages projects with components that promote thoughtful public impact, including a significant outreach or interactive component. This could range from visits to local schools, workshops, public lectures, or other interactions that engage public participation and further involve the public in the artist’s creative process and final product.

The DoSeum will value the proposals by assessing feasibility, alignment with museum’s Mission, Exhibition Policy and Educational focus selecting up to two final projects. The selected Artist(s)-in-Residence will receive an honorarium of up to $6,000.00 and production costs of up to $10,000.00 to aid them in the execution of their project(s). Upon contractual agreement, the artist(s) will have the fall of 2017 and the spring 2018 for design, prototyping, and production. Winning Artist Residents will be showcased within the Tricentennial Exhibit slated for the summer and fall of 2018 in our travelling exhibit gallery.

DEADLINE TO APPLY: August 25, 2017

More info and application here

 

 

Call for Proposals: The Annenberg Community Beach House needs group show proposals (Santa Monica, CA)

The City of Santa Monica Cultural Affairs Division seeks proposals for two current opportunities:

Call For Group Exhibition Proposals

For the exhibition program at the Annenberg Community Beach House. Proposals for group exhibitions (with three or more artists) from emerging and established artists, photographers and artist groups/collectives, based in Los Angeles County, will be considered. The exhibition period is four months. Proposals for solo shows and by artists outside Los Angeles County will not be considered. Up to three proposals for exhibitions in the time frames of: January - April 2018, May - August 2018, and September - December 2018 will be chosen, with exact dates to be determined.

Details: https://www.callforentry.org/festivals_unique_info.php?ID=4595

Deadline: Friday, August 18, 2017 by 10:59pm PST

Residency: The Main Museum has five new studio spaces available (Los Angeles)

The Main Museum in downtown Los Angeles will open five new studio spaces in January 2018 for our artist-in-residence program. With studios located onsite at the museum and monthly honoraria offered to participating artists, our expanded interdisciplinary residency program, which formalizes facets of the current program, furthers The Main's central mission of supporting practicing Los Angeles-based artists.

A variety of disciplines are accepted for the program, which can last anywhere from three to nine months. Artists are invited to use the space as they wish, with no expectation of producing new work, although some residencies may result in exhibitions or public programs.

Applications are accepted now through October 2, 2017 for residencies beginning in January 2018.

More information about the program and how to apply: http://www.themainmuseum.org/residencies/2018-air-applications

Please share the information along to your networks and to anyone you think would be interested in applying.

Thank you,

Samantha Ayson

Marketing & Communications Manager
The Main Museum
411 S . Main St. M-100
Los Angeles, CA 90013

Visit Beta Main at 114 W. 4th St.
themainmuseum.org<http://www.themainmuseum.org/>

Jobs: PT Museum Receptionist Los Angeles Philharmonic Association (Los Angeles)

The Los Angeles Philharmonic Association is currently seeking a: 

Museum Receptionist at the Hollywood Bowl Museum (part time)

Founded in 1919, the Los Angeles Philharmonic Association's mission is to perform, present, and promote music in its varied forms at the highest level of excellence to a diverse and large audience, both at the Walt Disney Concert Hall and the Hollywood Bowl.  The Los Angeles Philharmonic Association is dedicated to continuing its pre-eminent status in the music world of the 21st century.

Position Summary:

Greet visitors and professionally represent the organization at the reception desk of the Hollywood Bowl Museum. This position will be two days a week during the off season with the possibility of more shifts during the busy summer season.

Position Elements:

  • Answer main telephones lines and direct callers.
  • Greet guests and announce visitors. 
  • Open and redirect general mail.
  • Sign for daily deposit, packages, and direct messengers.
  • Maintain the cleanliness and integrity of the museum and its exhibits.
  • Be knowledgeable about current exhibits and Hollywood Bowl history.
  • Process small cash transactions, and keep an accurate record of cash on-hand.
  • Maintain and stock brochures in the lobby and ensure area is neat and welcoming.
  • Maintain museum staff comp tickets during the respective seasons.
  • Communicate with Operations and Museum Assistant about all building issues.   
  • Work with Museum Assistant to maintain quality of museum.
  • Work with Docents to represent the museum and organization.

Requirements

  • Minimum 2 years administrative support experience in a fast-paced professional environment.
  • Excellent phone manner and verbal communication skills.
  • Must have strong organizational skills, attention to detail, and initiative.
  • Strong analytical skills.
  • Demonstrable ability to represent the Association in a professional manner both on the phone and in person.
  • Good computer literacy and proficiency (Microsoft Word, Outlook, Excel, and Internet based research, etc.). 
  • Classical music and/ or museum background a plus.
  • Must be able to correctly pronounce visiting artists, conductors and composers names. 

How to apply:

  • Complete the online application by clicking here
  • Complete the application with all pertinent information.
  • At the end of the application, a confirmation page will appear when your submission has been successful



Website: https://wfa.kronostm.com/index.jsp?locale=en_US&APPLICATIONNAME=HollywoodBowlReqExt

Deadline: 07-13-2017

Grants: Nevada Arts Council has $1000 quarterly for Nevada-based Artists (Nevada)

  • DEADLINE: May 15, 2017 (Qtr. 1, For projects occurring: July 1–Sept. 30)
  • More info and apply here
  • (Advanced Review Deadline: 45 days prior to quarterly deadline)

    GRANT AMOUNT: Up to $1,000.

    Quarterly Jackpot Grants support new or exemplary art projects by nonprofit arts and non-arts organizations, schools, public institutions or artists that take place during a three-month period. (For example, apply for the First Quarter Jackpot Grant to support projects/activities scheduled for July 1–September 30.)

    Examples of eligible projects include, but are not limited to: art exhibitions, performances, readings and concerts, sponsoring of arts-related workshops and conferences, marketing and promotional activities and planning, implementation, and/or evaluation of arts education/learning programs for school-aged students or other targeted participants.

  • An applicant may receive only one Jackpot Grant per fiscal year.
  • Organizations applying for funds to support an artist residency must submit an Arts Learning Project Grant or Artist Residency Express Grant application.
  • REQUIRED MATCH

    No match for individuals. 1:1 cash match for organizations. NAC requires that grantees report all in-kind contributions of goods and services as they have a cash value and demonstrate a broad base of community support

    ELIGIBILITY: INDIVIDUALS

    Individual artists of all disciplines, including folk and traditional artists, community scholars and teaching artists.

  • Individual applicants must have U.S. citizenship or legal resident status, be at least 21 years old, be a Nevada resident for 12 months prior to the date of application, and not be enrolled as a degree-seeking student in the area for which they are requesting NAC funds
  • ELIGIBILITY: NONPROFIT ORGANIZATIONS, PUBLIC INSTITUTIONS & SCHOOLS

    Nevada 501(c)3 nonprofit organizations and public institutions such as schools, colleges, community centers, youth organizations, museums, tribal entities, senior centers, park districts and libraries. Organizations in the process of applying for nonprofit 501(c)3 status may apply using a Fiscal Agent.

    APPLICATION & REVIEW PROCESS

    This is a quarterly grant category. As applications arrive, each is reviewed for eligibility and completeness by NAC staff, processed and scheduled for committee review.

    REQUIRED SUPPORT MATERIAL

  • All required Support Material must be submitted using the GO™ system
  • An organization that has not previously applied for NAC funding is required to submit an IRS 501(c)3 letter confirming legal nonprofit status and a copy of its current board list
  • Individuals are required to submit a photo copy of your Nevada Driver’s License for proof of eligibility. If you don’t have a Nevada Driver’s License, please call NAC staff to discuss alternate documents to demonstrate eligibility
  • Individuals collaborating with other artists must provide work samples and résumés for those artists

Residency: Ox-Bow Residency applications now open (Michigan)

Disciplines: Theater, Visual Arts, Writing.

Location: Saugatuck, Michigan, United States

Deadline: 1 May, 2017

Duration: September 3rd - October 7th 2017

Eligibility: Applicants must be over the age of 18

Support: We are happy to announce that in 2016 Ox-Bow furthered its commitment to the needs of artists by no longer charging fees for the residency program (including application, room & board, and residency fees). All accepted residents are fully funded. Artists may apply for additional stipends to help pay for the cost of travel, supplies, and time away from work.

Costs: none

URL: http://www.ox-bow.org

Program Description:

Application Deadline: May 1, 2017 (Midnight, CST)
Residency Length: Two, three, and five week (September 3rd - October 7th)
Costs: Accepted residents are fully funded. Artists can apply for additional stipends within the application.

Ox-Bow’s Artist-in-Residence program, located in Saugatuck, MI, offers artists and writers the time, space, and community to encourage growth and experimentation in their practice. During the fall residents are given the time, solitude, and focus often unavailable to so many working artists.

At Ox-Bow, artists can enjoy 24-hour access to their studios, and an inspirational setting, free from the expectations of commercial and academic demands. During the fall season, Artists-in-Residence have the opportunity to work in studios not available during the summer session. The fall is an ideal time for writers to apply as there are studios dedicated specifically to them. It’s also a great time to propose group or collaborative work. The residency is open to all visual art disciplines and writers.

The residency provides:
• Studio (access to ceramic, printmaking, and painting studios—if you would like access to these facilities make sure this is clearly stated in your application)
• Private room
• Meals
• A community of engaged artists
• Opportunities to share work: slide presentations and/or readings

We are happy to announce that in 2016 Ox-Bow furthered its commitment to the needs of artists by no longer charging fees for the residency program (including application, room & board, and residency fees). All accepted residents are fully funded. Artists may apply for additional stipends to help pay for the cost of travel, supplies, and time away from work.

To find out more about Ox-Bow’s AIR program and to apply, visit our website: http://www.ox-bow.org

More Info: http://www.ox-bow.org

Residency: The Halcyon House Arts Lab (Washington D.C.)

Disciplines: All Disciplines.

Location: Washington, DC, DC, United States

Deadline: 4 May, 2017

Duration: 9 months

Eligibility: Studio space, stipend, nine-months accomodation (non-DC residents only)

Support: • A dedicated studio to concentrate on independent learning and creative practice. • $18k financial scholarship to support living and material costs • Nine months of offsite residential accommodation (eligible for non-DC residents only) • A curriculum of classes that provides skills training in negotiating, marketing, and fundraising • Mentorship and critique from an experienced arts professional • Workshops and lectures with a broad content of art topics in the public realm, from urban planning and policy, to design thinking and social justice. • Mentorship with DC high school students to provide guidance, instruction and inspiration to the next generation • Opportunities to collaborate with fellow artists, social entrepreneurs and our program partner organizations in Washington, DC.

Costs: No application fees or residency costs

URL: http://halcyonhouse.org/arts-lab

Jobs: Lincoln Center for the Arts needs a Production Coordinator (New York)

Description

POSITION Production Coordinator, Programming OVERVIEW Lincoln Center for the Performing Arts (LCPA) serves three primary roles: it is the world’s leading presenter of superb artistic programming, is a national leader in arts and education and community relations, and functions as the manager of the Lincoln Center Campus. As the Production Coordinator, Programming, you will organize events associated with Lincoln Center’s Great Performers series, Mostly Mozart Festival, White Light Festival, and other projects planned by the Programming Department. Reporting to the Production Manager, with additional directives provided by event producers, you will provide both production and administrative support. Specific responsibilities include:

• Coordinating and disseminating all production information, scheduling venue visits for artists, coordinating the distribution of venue technical packages to artists, distributing artist’s technical information to lighting and sound supervisors and venue production managers, distributing and maintaining production calendars, and tracking the distribution of all of the above information.
• Arranging accommodations, transportation, and hospitality services for guest artists.
• Processing visa applications for guest artists.
• Preparing the annual versions of the company and accounting databases. Inputting production-related budget lines. Briefing incoming production interns on database functions.
• Managing the processing of all new hire paperwork relating to programs, research union pay rates and implement production crew rates. Ensuring that payroll is submitted for seasonal staff.
• Maintaining each program’s daily schedule. Updating as new information arrives and/or as directed.
• Researching vendor pricing on production-related equipment rentals and purchases. Arranging for various production-related lighting rentals and arranging timely and accurate returns of same.
• Tracking all production expenditures, including petty cash, invoices, etc. Preparing the monthly production-related accruals and coordinate close-out for each event.
• Preparing purchase order requests, service contracts, and processing invoices through the Purchasing and Finance Departments.
• Implementing fee and payment schedule for consultants and coordinators. Preparing vendor and consultant contracts and coordinate approvals with the Legal Department.
• Supervising any seasonal production interns or temporary staff.
• Managing all master load-ins and –out schedules.
• Providing day-to-day administrative support to the Production Manager, including phone coverage, database and file maintenance, minutes at meetings, etc.

REQUIRED QUALIFICATIONS: • Excellent written and verbal communication skills; professional phone manner • Strong computer skills and proficiency in Word, Excel, PowerPoint, and database programs • Strong organization skills and attention to detail, with an ability to multitask and prioritize effectively • Must exhibit excellent judgement and flexibility • Knowledge of classical music and the performing arts • At least five years of experience in the field or a related business • Ability to work evenings and weekends required • This job involves being able to lift up to 50 pounds • Bachelor’s degree in a related field or an equivalent combination of education and experience

Application Instructions / Public Contact Information

SUBMISSION PROCEDURE Please send a cover letter (including your salary requirements and interest in Lincoln Center) and resume to our humanresources@lincolncenter.org inbox. Submissions without cover letters will not be reviewed. Please list: Production Coordinator in the subject line. Internal candidates should contact a member of the Human Resources Department directly. Lincoln Center is an equal opportunity employer.

Grants: City of West Hollywood has funds available to/for transgender artists (Los Angeles, CA)

OPEN - TRANSGENDER ARTS INITIATIVE GRANT- Transgender Arts Initiative Grants are a pilot program initiated by City Council intended to support and enhance artwork to be presented or exhibited in West Hollywood by transgender artists or nonprofit organizations with a history of supporting transgender individualsThe maximum award any individual artist or artist collective may receive under this grant is $3,000. The maximum award any 501(C)(3) nonprofit organization may receive under this grant is $5,000. All proposed projects funded under the Transgender Arts Initiative Grant must be completed or in progress by June 30, 2017.

Call for Artists: Nampa Public Library is getting a mural (Idaho)

The Nampa Public Library is looking for a local artist to create a mural for the 3rd floor Spanish Language Area.

CALL-FOR-ARTISTS

CONTACT: Claire Connley, email: connleyc@nampalibrary.org, phone: 208.468.5806
DEADLINE: Tuesday April 4th 2017, 2:00 PM (mst)
ELIGIBILITY: Open to all visual artists, giving preference to artists with “Treasure Valley ties”
BUDGET: $2,800 (including all supplies and the cost of installation which shall include all costs related to labor, equipment, travel, parts and all miscellaneous costs including but not limited to liability insurance.)

Application: 
Artists submit by Tuesday April 4th 2017, 2:00 PM (mst) the following:
o The Completed Application Form (included at the end of this document)
o Letter of Interest (describe ties to the Treasure Valley, maximum one page)
o Resume (maximum two pages) with 3 references
o Visual Representation of Examples of Past Work. Digital Images (artists may submit up to 10 images of past work examples)

    • Standard jpeg format under 1 MB in size
    • Title each image with first and last name and sequence number (IE: sallyjones01.jpg, sallyjones 02.jpg)
    • Provide an image list describing artwork (title, date, medium)

o Mail or deliver application on a cd or thumb drive to:
Nampa Public Library Call to Artists – Spanish (Language) Area Mural
Attention: Claire Connley
215 12th Avenue South, Nampa, ID 83651
Please note: No submissions will be accepted after the deadline.

Selection Process: 
This call is for qualifications and past experience only. No design concepts need be presented at this time.
A selection panel representing the Nampa Public Library will meet, review applications and will choose two finalists who will be paid $100 each to create site-specific proposals for consideration. Preference will be given to artists with ties to the Treasure Valley. Chosen finalists will then prepare proposals on a 24” x 36” board.

About the library: 
The Nampa Public Library and the Library Foundation want to enhance the library experience and celebrate our community with art. Operated by the City of Nampa, the Nampa Public Library provides access to information, as well as educational and cultural opportunities, regardless of means. As an added attraction to the downtown community, the library also helps build Nampa’s economy. The Nampa Public Library is a place for literacy and an environment for art.

Project Overview: 
This mural is financed through the Nampa Public Library Foundation will be funded by a Hispanic (Spanish) grant from Key Bank. The mural will be located on the third floor of the library building in the Spanish (Language) area. The design of the installation is open to interpretation, yet the selection panel will encourage artwork that feels welcoming to all ages. Chosen art should reflect the library’s character. The library’s “guiding principle” is that of a rooted tree.

The Mural Should…

  • Be of cultural and/or historical importance to the Hispanic community of the treasure valley.
  • Reflect the struggle of Hispanics in Idaho to balance a desire for educational success and the demands of working in the agricultural industry.
  • Provide excitement and interest for the community as a whole.

The artist should be aware of other art elements in the building:

  • The three-story Feature Wall entitled “A Wider World” by Boise artist Leslie Dixon
  • The ‘main donor wall’ in the lobby (Four panels of an abstracted tree in a landscape by artist Jerri Lisk and surrounded by birds cut out of aluminum)
  • The hanging lobby sculpture entitled “Planting Seeds” by Boise artist Matt Grover

The new mural should complement these existing art elements. It is the artist’s responsibility to ensure that all artwork is of a permanent nature, meets safety requirements and adheres to building codes. Artwork must be durable and must require minimal maintenance.

Project Details: 
The wall space is approximately 13’ 5” high and 8’ 7” wide. Installation of the artwork is to be coordinated with library staff, and not to exceed the $2,800 budget. The two finalists will be able to tour the site and meet with staff to ask questions.

Timeline:
January 18th Call to Artists
April 4th Application Deadline
April 6th 2 artists notified as finalists
May 18th Finalists proposal boards due
May 24th Artist chosen
May 25th to July 25th Artist to produce and install mural.

Questions:Contact Claire Connley, email: connleyc@nampalibrary.org , phone: 208.468.5806
For more information on the Nampa Public Library go to: http://nampalibrary.org

Call for Entry: Albany Park Branch Library needs public art video artists (Chicago, IL)

CITY OF CHICAGO: ALBANY PARK BRANCH LIBRARY

PUBLIC ART COMMISSION OPPORTUNITY
The City of Chicago Department of Cultural Affairs and Special Events (DCASE) —working closely with the Chicago Public Library, Alderman Laurino and community stakeholders—invites professional artists working in video to submit their interest and qualifications for a public art commission at Albany Park Branch Library. Four artists/teams will be commissioned at $4500 each to create original video artworks for the City of Chicago’s Public Art Collection.

ELIGIBILITY
This opportunity is open internationally to professional artists working in video. Applicants must be at least 18 years old and may not be enrolled in an undergraduate degree program. Of the four videos commissioned, at least two will be awarded to Chicago-based artists.

BACKGROUND/BUDGET
In 1978, Chicago City Council unanimously approved a Percent for Art ordinance that requires 1.33 percent of municipal construction or renovation costs be allocated to commission public art at the site. Since that time, nearly 500 works have been commissioned as part of Chicago’s Public Art Collection, one of the largest municipal collections in the country. Because the Albany Park Branch Library was funded with Tax Increment Financing (TIF), the Percent for Art ordinance did not apply. However, due to the important impact of public art, Chicago Public Library identified $25,000 of bond funds available to commission public art at this site.

$18,000 will be used to fund four distinct video commissions at $4,500 each. The remaining $7,000 will be used to pay design fees to the artists invited to submit proposals during the semifinalist stage of the selection process, in addition to educational materials that will support public engagement with the commissioned artworks that result.

The City is not responsible for any expenses that a finalist may incur beyond the contracted amount of $4,500. For example, if a finalist resides out of town and intends to visit the site during the development of their commission, or for the launch celebration of the video program, there are not separate funds available to cover those costs. The total commission amount for a finalist is fixed at $4,500.

SITE
The Albany Park Branch Library—located at 3401 W. Foster Avenue in Chicago’s 39th Ward—primarily serves the North Park and Albany Park neighborhoods. The 16,500 square foot state-of-the-art building designed by Jackson Harlan LLC opened to the public in September 2014, replacing the original Albany Park Branch Library that opened at the same site in 1963. This branch features many community amenities including several computers with internet access, a YOUmedia center for teens, an interactive children’s area, and meeting rooms that welcome diverse community-driven activities such as bookbinding workshops, book club discussions, story times, seasonal gatherings, themed craft-making activities, legal clinics and more. Albany Park is one of Chicago’s most ethnically diverse neighborhoods and the library has been an important part of the community for over 50 years.

SCOPE
The site’s lobby prominently features a four-panel Planar Clarity Matrix LCD Video Wall System to which there are sightlines throughout the branch. The commissioned videos are intended to contribute a depth of experience for visitors to the branch, enhancing a sense of place by meaningfully intersecting the culture of the neighborhood. Values that stakeholders have expressed as vitally important to the Albany Park community include diversity, immigration, creativity, lifelong learning, and the natural environment. Given that the branch is a family friendly site welcoming intergenerational visitors, content should be suitable for all ages. Applications for this competitive opportunity will be reviewed based on the originality of applicant’s stated approach, their responsiveness to the site, and the strength of their previous video work.

Applicants from the local area are encouraged to visit the site before submitting their application materials. For those applicants who are unable to visit the site, teens engaged in the library’s YOUmedia program have created a short video tour > YOUmedia teens’ video tour of the site.

Additional links applicants may wish to explore:

·        Chicago Public Library - Albany Park Branch

·        Public Building Commission of Chicago - Albany Park Branch Library

·        Alderman Laurino, City of Chicago Ward 39

TECHNICAL DETAILS
The commissions need to be silent, single-channel files that do not require any special software or hardware to screen optimally. If desired by a commissioned artist/team, a video may be edited to uniquely activate the four panels that distinctly comprise the single plane of the video wall via a single channel. Please consult the specifications provided for detailed information about the Planar Clarity Matrix LCD Video Wall System (four panel LX46HDS-L model). 

The four commissioned videos will run continuously on a loop with brief slides inserted between each to indicate the artist/s and running time for the preceding and following videos. The video program will be accessible to the public for 8 hours each day the branch is open. There are no minimum or maximum length requirements for the commissioned videos.

The commissions will be contracted as unique, non-editioned, one-of-a-kind artworks for Chicago’s Public Art Collection. However, artists may develop still iterations of the video as a saleable counterpart. Artists may also retain an artist’s copy of the commissioned video for screenings at festivals or fairs, but the video may not be posted online.

PROCESS
DCASE’s Public Art staff will oversee all aspects of the artist selection and commissioning process including interagency and aldermanic consultation, community engagement, selection panel development, application review, artist contracting and consulting, and project implementation.

SELECTION PANEL
Pamela Feldman—Artist, longtime Albany Park resident/parent
John Glynn—Manager, Albany Park Branch Library
Regin Igloria—Artist, longtime Albany Park resident, founder of North Branch Projects
Abina Manning—Executive Director, Video Data Bank at the School of the Art Institute of Chicago
Jordan Martins—Artist, faculty at North Park University, Executive Director of Comfort Station
Mark McKernin—Artist, faculty at Northeastern Illinois University
Gregorio Rodriguez—North District Chief, Chicago Public Library

COMMUNITY FORUM
A community forum will be held in the community room of the Albany Park Branch Library on Wednesday, February 1st, from 4:30-5:30pm to discuss this public art opportunity. Anyone interested in the project is welcome to attend. DCASE Public Art staff and representatives from the selection panel will be present to share information about the project, listen to community input, clarify how to apply, and address questions.

TO APPLY
Applicants must submit the following by 10:59pm CST, Sunday March 12, 2017

A statement of intent (no more than 300 words) that indicates the applicant’s intended approach to this commission opportunity and its responsiveness to the site, as well as why this specific opportunity at Chicago’s Albany Park Branch Library is of interest to the applicant.

A resume that clearly highlights the applicant’s past experience relevant to this opportunity (no more than 3 pages).

An annotated media list that gives brief context to the video/images submitted.

At least one video, and no more than three, edited so as to not exceed one minute each. The video sample/s should best demonstrate the applicant’s skills relevant to their intended approach for this project.

Up to three video stills may be submitted but are not required.

One URL may also be submitted for review but is not required. If an applicant opts to submit a URL, please include it on the annotated media list.

DEADLINE
The application deadline is 10:59pm CST, Sunday March 12, 2017. No late submissions will be accepted, and incomplete applications will be ineligible. After the application deadline, submissions will be reviewed by the selection panel. That process will identify a short list of semifinalists to whom honoraria will be paid to develop formal proposals. Semifinalists will be contacted in April, and proposals will be due in July. After the panel reviews the semifinalists’ proposals, four finalists will be recommended for commission, with at least two commissions awarded to Chicago-based artists. A final community forum will be held at the Albany Park Branch Library (details TBD) to present the panel’s recommendations before the finalists are contracted in September. Commissioned videos are expected to be complete within a year of contracts being issued.

More info and application here

Grants: Vermont Arts Council has Creation Grants (Vermont)

Creation Grants help Vermont artists create new work. Grant funds may be used to compensate the artist for time spent creating work, the purchase of materials, or the rental of equipment or space. All projects must have a strong potential for future public presentation and should strive to increase greater public understanding of the arts.

Who May Apply

Individual artists and artist groups may apply. Individual applicants must:

• be a resident of Vermont at the time the award is granted, and must have been a resident of Vermont for a minimum of one year prior to the application deadline
• be 18 years of age or older at the time of application
• have submitted all required reports on any prior Council grants Artist groups must:
• be Vermont-registered nonprofit organizations
• have 501(c)3 tax-exempt status or work with a fiscal agent Who May Not Apply
• Artists whose projects involve activities for which college credit is given
• Artists or arts organizations that have received a creation grant within the past three years

Grant Amounts and Matching Requirements

The grant amount for this program is $3,000 per award. No match is required. Seventy-five percent of the grant amount will be paid on receipt of a signed contract; twenty-five percent will be paid on receipt of the final report. Grant amounts are dependent upon federal and state funding and subject to change. Criteria for Selection Proposals will be evaluated in two rounds. All artists may apply in round one. Artists may apply by invitation only in round two. Applicants will be evaluated on the same criteria in both rounds but those advancing to round two will be asked to provide more detailed information in a second application. Artistic Quality (60%) The work, as evidenced by artistic support materials, is: • of high artistic quality • relevant to the proposed activity Impact/Project Management/Evaluation (40%) The applicant provides: • a clear description of the proposed project and timeline • a clear description of the art form and/or artists’ creative process • evidence of relevant experiences and/or a plan for creating the work • clear project goals and outcomes • evidence the work can be presented to the public beyond the grant year Grantee Requirements and Expectations Arts Council funding must only be used for the creation of the work (e.g., artist time, materials etc.) and not for the public presentation of the work. Grantees will be expected to sign a contract agreeing to specific funding requirements (e.g. insurance, accessibility, promotional, and accounting system expectations). A final report will be due 30 days after the project, and no later than September 30, 2018. Application and Deadline The application is available online. Activities outlined in the project must take place between September 1, 2017 and August 31, 2018. The Council reserves the right to work with the applicant to improve or clarify grant requests before funding decisions are made. The deadline for round one is March 29, 2017. 

Preparing Your Application

Applicants in round one will be expected to submit applicant and project information, a project summary, and artistic support materials (e.g. images, video, audio, writing samples, etc.). No panel feedback will be provided on applicant materials in the first round. Applicants invited to apply in round two will be given four weeks to prepare and submit a more detailed project description including a timeline, budget, method of evaluation and measurement, plan for promotion of the project, and evidence of potential for future public presentation of the work. All materials for both rounds must be submitted through the council’s online granting system. 

More information and apply here

Grants: Jim Henson Foundation is accepting letters of intent for Production, Workshop, and Family grants (National)

Description: The Jim Henson Foundation awards grants each year for the creation and development of innovative works of puppet theater. Production Grants of $7,000 are awarded for the production of new works ready to be presented in the coming year. Workshop Grants of $3,000 are for the development and workshopping of these pieces. Workshop Grants and Production Grants can be combined over a two year period for the greatest benefit to the piece; keep in mind, however, that a Production Grant does not need to be proceeded by a Workshop grant and a Workshop Grant in no way ensures a future Production Grant.

Family Grants of $4,000 fund the development of new and innovative work specifically for children, families, and teenagers. Please keep in mind that Family Grants will be evaluated by the same high artistic standards as works for adults.

Grants are made only for the development of new works of live puppet theater. The Foundation does not award funds for the presentation or remounting of existing work. Grants cannot be applied retroactively; substantial portions of a proposed project must take place after the funds are awarded. The foundation does not fund publications, parades, pageants, exhibitions, spectacle, festivals, film or television projects, projects for school credit, workshops, education or outreach activities, or purely digital performance.

Geographic Focus: National

Deadline: March 13, 2017