Open Call

Request For Qualifications: Mural Artists (Los Angeles, CA)


INTRODUCTION
DCA is seeking artists, artist teams, and/or arts organizations interested in creating mural projects, as part of the Arts Development Fee Program, throughout the fifteen (15) Council Districts in the City of Los Angeles. In some instances, a specific mural opportunity and location may be identified in advance and artists will be directed to develop a site-specific work at that location.


CRITERIA
Artists working in any mural medium, style or technique — i.e. aerosol, mosaics, ceramics, paints, stencils, stickers, wheat paste — may apply. Successful applicants must demonstrate the professional capacity to oversee the design, implementation and production of a mural project for the City of Los Angeles — a process that includes making presentations to the public, overseeing all aspects of mural production, executing a project in a public space, registering the mural through either the City Mural Registration process or the Cultural Affairs Commission review process. Successful applicants must also demonstrate the technical knowledge related to best practices for wall preparation techniques and safety requirements for working on scaffolding, lifts, and ladders.
Artists may apply individually or as a team. Artists’ teams may not change over the life of the project. Artists who apply as a team must demonstrate both the qualifications of individual team members, as well as the team’s qualifications to work together on projects. Commissioned artists and/or artist teams must attend multiple meetings with City agencies, Council Offices, the public, and others as required.


ELIGIBILITY
This Request for Qualifications (RFQ) is open to professional artists, artist teams and/or arts organizations who live and work in the County of Los Angeles. Artists or artist teams pre-qualified for other DCA-administered public art opportunities are eligible to apply to this RFQ. Applicants selected through this RFQ will be included on DCA’s 2016 Pre-Qualified Roster of Mural Artists and eligible to propose for individual project opportunities as they arise, but will not be guaranteed a public art commission. In order to remain eligible for public art project commissions, artists and artist teams must retain the same members as stated in its original application to this RFQ. Employees of the City of Los Angeles are ineligible to apply.


PROJECT BUDGETS
Budgets for mural projects will range from $10,000 – $60,000. Each budget will be all-inclusive, and must cover all expenses associated with the design, fabrication and installation of the commissioned mural project, including design development, production and execution, as well as any required presentations, approvals, engineering services and/or City permits. This project is funded through the Arts Development Fee program and/or other art programs funded by the Department of Cultural Affairs.


SELECTION PROCESS
An artist selection panel will convene to review all applications received in response to this RFQ, and establish a 2016 Pre-Qualified Roster of Mural Artists, which will remain active for two (2) years from the date of the selection panel. Once selected, pre-qualified artists and artist teams will be eligible to develop proposals as individual projects are initiated by DCA. Separate selection panels will convene for such projects, in order to review mural project proposals, interview proposing artists, and select artists to receive the mural commissions. All selection panels will be comprised of artists, arts professionals, City representatives, and/or community members, and administered by DCA. Upon receiving a mural project commission and throughout all project phases, each commissioned artist and artist team will be required to comply with City codes dealing with safety, accessibility, seismic and/or other issues, as appropriate for the commissioned project.
HOW TO APPLY
All applications must be submitted electronically via Slide Room. Deadline to apply is Tuesday, November 22, 2016 at 11:59 p.m. Incomplete and late applications will be deemed ineligible and not be considered.
A complete application must include:

ARTIST’S CONTACT INFORMATION including name, business name (if applicable), physical address, mailing address, telephone, and email. Teams must identify one artist to be DCA’s primary contact for the team, as well as contact information for each artist on the team.
STATEMENT OF INTEREST (PDF or DOC format only, 2 pages max) for creating public art murals for City walls.
CURRICULUM VITAE (PDF or DOC format only, 4 pages max); teams must submit a CV for each artist on the team.
TEN (10) IMAGES (JPG format only, 72 DPI min + 5 MB max per file) of completed artwork; image files must be named sequentially (i.e. 01, 02, 03…); teams may submit no more than ten images total. Each of the image files must include the title of the image, year, size, materials, and brief description. For any commissioned project(s), also include the client, budget, and location.

*Additional material included that is not requested by DCA will not be reviewed.

QUESTIONS
Please contact Jasmine Regala, Arts Associate, at 213-202-5544 or via email.

Job: Part-time preparator for Kayne Griffin Corcoran (Los Angeles, CA)

PREPARATOR - ART GALLERY (mid-Wilshire) hide this posting

compensation: Salary is commensurate with experience.
employment type: part-time

Preparator (P/T) - Kayne Griffin Corcoran

Kayne Griffin Corcoran is seeking a professional, experienced part-time Preparator. 

Requirements:
Experience as a preparator in a gallery or museum
Experience handling art and with installation, packing and crating
Knowledge of and experience with AV setup
Construction capabilities
Professional appearance and demeanor
Flexible schedule
Must have a valid California Driver's license


Please email a resume, letter of interest, three references and salary history. Incomplete applications will not be reviewed.

Residency: Chulitna Lodge Wilderness Retreat (Port Alsworth, AK)

Chulitna Lodge Artist-In-Residence Program seeks to provide the time, space, clarity, and facilities for all forms of creative professionals to make and meditate.

We encourage the gamut, from seasoned professionals to enthusiastic hobbyists, to apply for our various programs.

For more media on Chulitna Lodge and the residency program, look at our vlog:
www.chulitnalodge.com/videoblog

There is a complete wood-shop representing most every tool one would need.
Some Printmaking and Digital Photography facilities.
Welding and cutting tools.  (Metal can be flown in, or repurposed from appliances/equipment collected over Chulitna's 80+ years.)
Light is ample, as is space for painters.

Writers and researchers will find our library a great place to find everything from obscure local native legends, to biology, anatomy or taxa.
Musicians - Please do apply!!

Most any material needed can be flown in, given enough notice.

Fees

$800/week double occupancy cabin
$1300/week single occupancy cabin

Includes all expenses from arrival to departure
Special additional rates available for family and/or studio assistants
Staff members are available to help with any tool usage or technical assistance
24 hour studio access

Fellowships

Full scholarships include Room & Board plus flight from anywhere in the continental U.S. and commuter flight from Anchorage to Port Alsworth and require a minimum of 6 week commitment between June 1 and Sept 30.
Partial scholarships include Room & Board, but not transportation.
Work study options are also available.
All scholarship and work study artists are expected to participate in meal preperation, and clean up, and/or gardening.

Timeframe

Early summer is a fantastic beauty full of hope and spring blossoms.  Mid-Summer has great intensity with the midnight sun.  Late summer to fall brings salmon, the changing of the leaves, and Aurora Borealis.

Applications can be made on slideroom at the following link:

https://chulitnalodge.slideroom.com

Call for proposals, entry: Phantom Art Galleries (Wisconsin)

The Wisconsin Arts Board recognizes and encourages the potential of artists to help create healthy communities and vibrant downtown spaces. Because of this, the Wisconsin Arts Board developed the "Phantom Art Galleries – Wisconsin" Pilot Program, to encourage artists, arts professionals, and arts organizations to partner with downtown development entities (and vice versa) in order to revitalize their downtowns. Specifically, the program provides grant recipients with funding and technical assistance to turn vacant downtown storefronts into temporary art galleries. In doing so, the empty downtown spaces have been revitalized, and local/regional Wisconsin artists have access to non-traditional spaces in which to show their work.

From this program, we have seen much growth and positive outcome within the communities involved. We at the Arts Board, as well as our Phantom Art Galleries - Wisconsin grantees, hope to inspire more communities to create this dynamic partnership between their own local artists and downtown developers. Feel free to contact any of the involved organizations.  Each group is willing to discuss the creation, maintenance, and outcomes of their Phantom Art Gallery program, as well as tips for starting a similar program in your own downtown area!

Deadline: Open

More info:

(Edit: Link to Wisconsin Arts Board now fixed. Thanks, Jessica!)

Call for artists; Residency: City of Los Angeles (Los Angeles, CA)

The City of Los Angeles Department of Cultural Affairs is now accepting proposals for its 2017-18 Artist in Residence (AIR) and City of LA (COLA) Master Artist Fellowship grants programs. 

The Artist in Residence RFP seeks community-based/teaching artists to coordinate multi-week participatory workshops culminating in group presentations in non-arts venues such as social service agencies. Artist In Residence Guidelines can be found here

The COLA Fellowship Program honors an assortment of Los Angeles' best contemporary artists. The awards allow accomplished artists to create new work while DCA organizes a museum exhibition, performing arts showcase, and an online catalog to document and market the selected artists and their new works as one cross-section of the exciting Los Angeles art scene. Guidelines can be found here

The submission deadline for both programs will be Friday, October 28, 2016

Call for artists/performers: Wearable parade floats (Pasadena, CA)

Tote Your Float
A deconstructed parade of wearable floats
Deadline: December 1, 2016

Event: Saturday, March 11, 2017 (ArtNight Pasadena)
Location: Old Pasadena and environs, ending at the Armory Center for the Arts
Honorarium: $225 per artist/artist team – $550 maximum materials stipend, based on receipts
Contact: Grace Amemiya, Project Coordinator • grace@newtownarts.org

Project Overview

Tote Your Float puts a new spin on Pasadena’s famous high-budget, parade spectacles with a deconstructed parade through Old Pasadena. No street closures, massive motor-driven floats, passive seated spectators or marching bands. Instead, we will select 5-7 artists to CREATE, WEAR and WALK wearable floats on solo routes throughout this pedestrian district. Each “parade of one” will be dispersed at separate locations within designated parameters (see map below). The art float will proceed alone, separate from the other floats, interactively welcoming Pied Piper followers along the way. A meandering procession will form, as floats mingle and cross paths with other floats, briefly become a “floatilla” and finally to end the journey at the Armory Center for the Arts, with a celebration and exhibition of ‘parked’ floats for 3 days of public viewing. NewTown will document each float on its path to be viewed on our website, as a digital, virtual deconstructed parade.

Project Route(s)

Starting point: Old Pasadena. Floats may choose any route within the designated area (see map below), bordered by Pasadena Avenue, Arroyo Parkway, Del Mar Boulevard, and Walnut Street, including Central and Memorial Parks.
Destination: Armory Center for the Arts. Each float will proceed through Old Pasadena to continue on to the Armory Center for the Arts for a celebratory opening and weekend exhibition of floats.

Criteria for Selection

Artistic merit (highest priority): NewTown seeks conceptually strong work (thought-provoking, metaphorical, satirical, site-specific, mysterious, etc.) and highly inventive use of materials and structural designs, especially those that deconstruct, dismantle, detach. Floats can be worn by one person or multiple people moving in sync. They may incorporate analog or digital electronic devices, including interactive sensors, screens, pocket projectors, speakers for a sound component (or even Arduino wired lit skeletal framed ant umbrellas fuzzy caterpillar drink bars).
Collaborations between artists and/or non-artists are encouraged. For example, artists can team up with Cal Tech students, JPL scientists, architects, or their dog.
Interaction: We encourage INTERACTIVE floats. Be inventive in the ways your float will interact with passersby, the streets, and the destination sites.
Craftsmanship and Stability: We are seeking well-constructed, carefully thought-out work.

Float Requirements must be:

Original works designed specifically for Tote Your Float
Human propelled, walkable and wearable (wheels may only be secondary supports)
Maneuverable on a sidewalk through double doors, freight elevator, and maybe up stairs, if possibly reassembled modules for exhibition.
Horizontal orientation: longer than it is tall, allowing for pedestrian clearance
Weatherproof: be prepared for any type of weather including rain. They are called Floats, after all.
Interactive: consider that your unsuspecting pedestrian audience might be interacting with you and the float.

Audience:

NewTown is targeting Old Pasadena’s diverse population: Pasadena residents, shoppers, diners, retail and restaurant workers, tourists, homeless people, seminary students, civic employees, dog walkers, skaters and NewTown fans. Consider that you will have an unexpected audience, surprised to find the art.  Anyone, including children, could find possibly sensitive content or imagery.

To Apply: email all questions and materials listed below to Project Coordinator, Grace Amemiya @ grace@newtownarts.org by December 1, 2016.

1 – Resume and/or brief biography.

2 – One-page project proposal which includes:

Concept or theme
Choice of materials and/or technical elements
Interactivity and mobility properties
Collaborators or teammates, if relevant
How project relates to your past or current work, if relevant

3 – Up to 7 images of your past work indicating experience in related genres and ability to carry out the project. If this proposal takes you in a new direction, provide samples showing general skills, aesthetics and adaptability. Websites may be cited only as supplemental work samples, not sole documentation.

4 – Annotated image list.

5 – Maximum of 4 sketches, models, or renderings of proposed float.


Tote Your Float was made possible by a grant from Pasadena Arts & Culture Commission and the City of Pasadena Cultural Affairs Division.

Residency + stipend for working artist-parents: Womens Studio Workshop

Deadline for Applications: October 15, 2016 midnite EST
Studio Disciplines: Intaglio, Letterpress, Papermaking, Screenprinting, Photography, Ceramics

The Parent Grant—made possible by new support from the Sustainable Arts Foundation—is a four-week residency for an artist with dependent child/children under the age of 15. Artists may choose to work in any of our studio disciplines: intaglio, letterpress, papermaking, screenprinting, photography, or ceramics.

This grant includes a $1000 childcare stipend, up to $250 for travel costs, free onsite housing, and 24/7 studio access. WSW can also provide technical advice and production assistance.

The $1000 childcare stipend can be used at the artist’s discretion, though a childcare plan must be submitted with the application. Possible childcare scenarios include:

Bringing a caregiver or partner to stay for the residency period;
Finding a childcare facility in the area (WSW has a resource list of professional, licensed child care centers. These facilities are generally open 7-5, Monday through Friday, and average $40-55/day.);
Locating individuals in the area who can provide child care (WSW can also assist with this);
Using the stipend to pay for child care at your family’s home base

If your child/children are coming with you, WSW can provide a two-bedroom apartment (with a single bed in each room) that has a bathroom and an open kitchen/living area where another bed can be placed. The maximum occupancy is three. Please note that, for safety reasons and to maintain a focused working environment, children cannot be in the studios where artists are working.

The residency in a nutshell:

Application due: October 15, midnight EST
Notification date: via email by December 15
Residency length: 4 weeks
Residency occurs: the year following application, January – June or September – December

Application must include:

A current resume
A childcare plan, detailing your use of the $1000 stipend
A description of the project, including the studio you’d like to work in (no more than 200 words)
Up to ten images of recent work (digital specifications here)
An image script, which should include the title, medium, dimension, and date of each image

https://womensstudioworkshop.submittable.com/submit/32992

Call for pitches: Art Practical's "Art and Citizenship"

Art Practical is seeking pitches for our fall 2016 thematic issue focused on the subject of art and citizenship. We are particularly interested in how citizenship relates to political and economic systems as they intersect with artistic practices, institutions, and diverse publics. We encourage thoughtful reportage and deep critical thinking around artistic production but also the lived experience of creative practitioners as civic leaders and community members.

We seek essays, interviews, and experimental prose that engage the multitude of ways art critics, artists, and writers approach the subject of art and citizenship. Art Practical respects academic forms and delights in sassy mainstream banter but solicits pitches that balance analytical research with an accessible tone.

Send your pitches to kara@artpractical.com by September 26, 2016. Please use the subject line “Citizenship Pitch" and include topic idea (100-200 words), proposed article length/composition, and 2-3 writing samples (if you have not previously written for Daily Serving or Art Practical).

If your pitch is accepted an editor will be in touch to discuss details, deadlines, and writer's fee.

Art Practical is the leading magazine for the Bay Area visual arts, sparking dialogue in the community by providing nuanced critical commentary and formative public programming. Since its launch in October 2009, it has promoted the Bay Area's role in the international art scene, created an archive of its contemporary artistic practices, and fostered its artistic production through its publication. Our thematic issues have probed topics ranging from labor to poetry to punk rock. Contributors include Michelle Grabner, James Franco, Aruna D’Souza, Kevin Killian, and Constance Lewallen. Info here

Call for entry: Ceramic teabowls for Shimpo's Juried 2017 NCECA booth

 

 

SHIMPO CERAMICS is looking for teabowls to showcase in our booth at the 2017 NCECA Conference in Portland, OR.  Thirty teabowls will be selected for exhibit in the SHIMPO Booth where three winners will be announced!

Eligibility
This call is open to any ceramic artist 18 years or older, living in the United States or Canada.
Artists can submit 1 to 3 images of teabowls created in the last three years.

Entry Fee
There is NO fee to enter this call.

Important Dates:
Exhibition Dates: March 22nd – 25th, 2017
Entry Deadline: December 2nd, 2016
Juror Results: January 6th, 2017
Accepted Works to be Delivered to Shimpo by: February 17th, 2017

Best of Show and Runners Up Announcements: Wednesday, March 22nd, 2017

More info and application here

Residency: UNLV (Las Vegas, NV)

The Department of Art at the University of Nevada Las Vegas invites applications for two eight-week periods in its spring Artist in Residence Program. 

AIR schedule: January 16–March 12 (session 1) and March 13–May 13 (session 2)

The successful candidates will remain in residence throughout the tenure of each of two sessions, each teaching two seminars for advanced undergraduate and MFA students, perform studio visits and participate in critiques, and offer individualized mentorship for young and emerging artists in our programs. Studio space, as well as a 10,000 USD honorarium, will be provided for each position. Travel to and from Las Vegas, lodging, and other expenses are not included, and will be the responsibility of the successful applicant.

With over 29,000 students and 14 colleges and professional schools, the University of Nevada Las Vegas is the premier research institution in this dynamic metropolitan area and stunning desert region. The UNLV Art Department offers BA, BFA and MFA degrees in Sculpture, Photography, Printmaking and Painting/Drawing, the BA degree in Art History, and a BS in Graphic Design & Media. The department serves over 600 undergraduate majors, as well as 12 graduate students in our unique and highly selective MFA program. We welcome proposals that complement our strong offerings in studio arts and art history. 

Applicants should be actively engaged in contemporary artistic practice, and show evidence of a national or international exhibition record. Applications from practitioners of studio disciplines, as well as art history and/or criticism are welcome. Writers, critics, and art historians are also encouraged to apply. MA, MFA, PhD or equivalent terminal degree required.

To apply, submit a single PDF File to include: 
–Cover letter
–Artist Statement
–Teaching philosophy
–CV
–Portfolio: ten images (individual file not exceed 100 DPI) from the recent works described with size and medium; art historians and writers: submit 10–15 pages writing sample.
–An abstract undergraduate & graduate seminar teaching proposals
–List of three references
 
Individual documents not to exceed a single page.
Follow-ups or added material will not be accepted.
Address applications to: 
 
University of Nevada, Las Vegas
AIR Committee
Department of Art
4505 S Maryland Parkway Box
455002 Las Vegas, NV 89154-5002

Review of applications will begin October 7, 2016. Complete applications submitted by this date will receive full consideration. Due to the volume of submissions, application materials will not be returned. 
 

Call for submissions: City of Palo Alto Public Art Program (CA), prequalified artist pool

City of Palo Alto Public Art Program (CA), National Call for Submissions:  2016 – 2017 Prequalified Artist Pool

Deadline: September 9th, 2016, 5:00pm PST

The City of Palo Alto Public Art Program is inviting artists and artist teams working in a variety of media to submit qualifications for potential inclusion in a prequalified artist pool for upcoming public art opportunities. Eligible applicants will be selected for the Prequalified Pool from which the Palo Alto Public Art Program staff will recommend appropriate applicants for a range of permanent and temporary public art opportunities throughout the City. Most public art commissions will be associated with municipal and private development projects as they arise throughout Palo Alto. Artists may submit existing artworks for consideration for temporary display within the City. Social practice and performance artists are also welcome to apply for temporary public art initiatives. Artists invited to be part of the Prequalified Pool will be selected based on appropriateness of their previous experience and artistic excellence. Some projects may also provide opportunities for an artist / artist team to work as part of a design team along with the project architect/designer.

Budget: Budgets for permanently sited work will range from $15,000 to approximately $300,000. The budgets are inclusive of artists fees, fees associated with design, fabrication, installation, and insurance provisions. Temporary public art budgets vary depending on the individual opportunity. Artists will be contacted prior to any selection panel process to confirm their interest and availability for a particular commission.

Eligibility: The call is open to all professional artists / artist teams over the age of 18 residing in the United States. Local artists residing in the Northern California Bay Area Region are strongly encouraged to apply, and may be given preference for projects with limited budgets. Any artists who apply as part of a team may not also apply as individual artists.

For full details and link to apply

Website link: 

Call for Writers: Paid Fellowship at Bitch Media for Feminist writers

Bitch Media, an independent, nonprofit feminist media organization now in its 20th year, is pleased to announce the Bitch Media Fellowships for Writers, a series of three-month intensive writing fellowships whose goal is to develop, support, and amplify emerging, diverse voices in feminist, activist, and pop-culture media. The program will be directed by Bitch cofounder Andi Zeisler. 

Bitch Media’s mission is to provide and encourage an engaged, thoughtful response to mainstream media and pop culture. We strive to be a fresh, revitalizing voice in contemporary feminism, one that welcomes complex arguments and refuses to ignore the contradictory and often uncomfortable realities of life in an unequivocally gendered world. We publish the award-winning magazine Bitch: Feminist Response to Pop Culture, daily online articles and opinions, weekly podcasts, and offer lectures and workshops around the world through Bitch on Campus.

We are pleased to kick off the second year of our fellowship program. We seek fellows who are passionate, engaged, and interested in developing their unique voices for these four fellowships, each of which pay a stipend of $2,000 for the three-month period.

Fellows will work with Bitch Media during one of the following four quarters:

  • January 1 – March 30
  • April 1 – June 30
  • July 1 – September 30
  • October 1 – December 31

Fellows will work in one of four subject areas during the fellowship period:

  • Reproductive rights & justice
  • Pop-culture criticism
  • Technology
  • Global feminism 

During the 3-month fellowships, our fellows will:

  • Produce a minimum of six online articles for Bitch Media in the topic area of their fellowship. These pieces can take a variety of forms: reported, analytical, advocacy-focused, even infographic, and are least 600 words in length.
  • Produce at least one longform article to be published in the quarterly magazine Bitch: Feminist Response to Pop Culture
  • Participate in biweekly discussions (by phone or Skype if fellows cannot meet in person) with the fellowship director and other members of the Bitch Media staff.
  • Receive mentorship and support in creating, shaping, and editing articles and blog posts.
  • Receive follow-up support with placing future articles and essays, and make great connections within the feminist-media community.
  • Have access to the Bitch Media library, which houses more than 2,000 books on feminist theory and activism; gender, race, and queer studies; pop-culture criticism, and social-justice history.
  • Receive a $2,000 stipend for the three-month fellowship.

Who should apply?

This fellowship was created in order to cultivate and amplify new voices. If you are a writer who has minimal publication experience, we strongly encourage you to apply. If you are passionate about one of the above subject areas but do not have a history of writing or blogging about them, we strongly encourage you to apply. If you are a writer still figuring out what subjects obsess you, we strongly encourage you to apply. 

This is not a full-time position, but an independent fellowship designed for writers who want to develop confident, well-rounded voices and are particularly interested in feminist criticism and mission-driven journalism. Fellows may be based globally, and U.S. citizenship or residence is not required to be a fellow. Writers who have contributed to Bitch before will be considered on a case-by-case basis.

Bitch Media is an independent 501(c)3 organization and an equal-opportunity employer. We seek a variety of perspectives and encourage applications from qualified writers of any age, race, color, gender, religion, ancestry, disability, marital status, and sexual orientation. We hope that our fellows will be able to find a community among their co-fellows and the staff of Bitch Media.

Applications due September 15, 2016 and can be found here

Call for Art Writers: Peripheral Vision Arts

Peripheral Vision Arts advocates well-paid writing assignments for talented emerging and mid-career freelance art writers, critics, theorists, and art historians. We are seeking applications from US critics to write about US artists. We administer 4 Publication Fellowship cycles annually and 2 curated online exhibitions for which writers receive contract assignments. We pay $225 for an Interview and $300 for an Essay (average text length is 1750 words; average time commitment is 8 hours for an Interview, 12 hours for an Essay), with additional stipends for studio visits when possible, portfolio review, and curatorial duties. Writers may be offered assignments in their field of specialty and will be offered assignments as they become available. 

Emerging critics, art historians, and creators wishing to apply as Peripheral Vision Art Writers / Editors may complete the form below. Additionally, please submit a CV and two Writing Samples to Scott Gleeson at editor@peripheralvisionarts.org. The ideal candidates will possess an M.A. or Ph.D. in Art History and be fluent in modernist and contemporary art discourses. Art historians who have published in peer-reviewed academic journals or presented research at conferences are preferred. Practicing artists holding M.F.A. degrees who have prior critical publication or writing experience are also encouraged to apply. 

Writing Samples should included 1 full length seminar paper or dissertation/thesis of at least 16-25 pages, plus illustrations, and a 2-8 page bibliography. The second sample may be a presentation text, article publication, catalog essay. Exhibition reviews and blog posts will not be considered.

We are seeking US critics in the disciplines of abstract painting, textiles + fibers, sound, digital art, performance, intermedia, social practice, sculpture, architecture, interior architecture, landscape architecture, furniture design, graphic design, fashion design, and illustration.

Application due by 10/31/16

More information and apply: http://www.peripheralvisionarts.org/art-writer-application

Call for Proposals: Beyond The Box, utility box painting in Glendale, CA


BEYOND THE BOX Call For Artists
The Glendale Arts and Culture Commission has issued a call for artists to apply to paint murals on City of Glendale utility boxes on October 14, 2016. Utility box murals will be painted in downtown Glendale, on West Colorado Street between Louise Street and San Fernando Road, and on Glendale Avenue between Harvard Street and San Fernando Road. 

Interested artists must submit their applications by August 15, 2016, 

http://www.glendalearts.org/event/beyond-the-box-call-for-artists

Open call: Haskell Sculpture Initiative 2016, Jacksonville, FL


Call Type: Public Art
Eligibility: National
City: Jacksonville
State: Florida
Entry Deadline: 9/2/16

The Cultural Council of Greater Jacksonville, on behalf of Preston H. Haskell, is soliciting qualifications submissions for permanent, contemporary outdoor sculptures in the 20' to 30' height range.  The sculptures, which will be commissioned based on selected artist qualifications, will be privately funded and located on private property in the downtown Jacksonville Florida area.  Experience in sculptures of this magnitude is mandatory.
 Artist teams are acceptable and encouraged. More info and apply here

Apply to LACE's Emerging Curators Program - November 1 Deadline, Los Angeles, CA


Request for Curatorial Proposals from Los Angeles-Based Practitioners for 2018 Presentation

LACE's annual Emerging Curators program is designed to discover curatorial talent in Los Angeles and give an opportunity for an emerging curator to partner with LACE. Applicants are reviewed by a panel that will recommend projects to the LACE team. For the second installment of LACE’s Emerging Curators Program one project will be selected for presentation in early 2017. The panel will select a compelling project that is consistent with LACE’s experimental spirit.

This year's review panelists include:
- Beatriz Cortez
- Dorit Cypis
- Lanka Tattersall
Read more about the panelists

It is expected that submissions may be very open in nature because of the generous planning time allotted. The LACE team will work with the selected Emerging Curator in developing the project as it evolves over the planning year, and to collaborate on programming to insure the work reaches its intended audiences. A stipend of $5,000 will be awarded to the selected curator to cover all production and curatorial expenses for the project. LACE will provide space, exhibition consultation, installation expertise and assistance, and marketing and promotion of the project.

Guidelines for Curatorial Proposals
- Applications may be submitted by an individual or curatorial team but must be based in the Los Angeles region
- Online applications only; no in-person submissions are accepted.
- Applicants are limited to one submission; there is no submission fee.
- Submissions must be consistent with LACE’s tradition of supporting experimental projects.
- Visuals are optional but encouraged; include PDFs or web links.
- Proposals are limited to a maximum one-page description.
- The panel may request the submission of additional materials at a later date.
How to Apply
Complete the brief application below and submit a maximum one-page description of your project.
Download the application by clicking here.

Calendar
November 1, 2016 – Deadline for submissions (Please submit no earlier than October 15)
March 1, 2017 – Applicants notified via email
January 2018 – Project presented by Emerging Curator

 To learn more, read about last year's Emerging Curators and their upcoming exhibition.
 

Call for Proposals: Inglewood Growing Artists Performed Projects (IGAPP); Inglewood, CA

VIEW MORE INFO AND APPLY TO THIS CALL


Call Type: Public Art
Eligibility: National
City: Inglewood
State: California
Entry Deadline: 9/2/16
 

Local and national artists are invited to submit proposals for Inglewood Growing Artists’ Performed Projects (IGAPP) to create original performed or time-based artistic projects providing cultural and civic benefit to be presented in Inglewood. Two Proposals will be contracted for $12,500 each combined with up to 12 weeks use of Inglewood’s Willie Agee Playhouse for meetings, rehearsals, research, lectures or other project-related use at no cost to the Artist.

The Willie Agee Playhouse (formerly known as the Inglewood Playhouse) was recently remodeled and features a 55-seat venue with all new lighting and sound systems and kitchenette, dressing room, prop and costume storage and restroom. The Playhouse, located at 714 Warren Street, Inglewood, CA is the IGAPP 2016 primary creative studio and/or stage, presentation or rehearsal space.  A final presentation in or around the Playhouse is a requirement of the contract deliverables and must be free and appropriate for general audiences.

Call for Performers: Kaidan Project, Greater Los Angeles, CA

We are seeking fearless, Asian, Latina/o, African-American, mixed race and diverse artists to act, perform music, bring spirits to life, dance, puppeteer, sing, scare people and more in a site specific event currently titled Kaidan Project. Kaidan Project is as a collaboration between Rogue Artists Ensemble and East West Players with a script written by Naomi Iizuka and will be directed by Rogue Artistic Director Sean Cawelti. 


Kaidan Project will be a multi-sensory experience (sight, sound, smell) and will involve the Hyakumonagatari Kaidankai (the telling of 100 supernatural tales) a tradition dating back to 1660 and was also involved in Samurai Warrior endurance training. The experience will involve taking small groups of participants on a ‘ghost tour’ of Little Tokyo, while the 100 tales unexpectedly unfold around them, revealing a higher level of paranormal activity, resulting in a thrilling finale. This piece will not be for the faint of heart and will involve moments of sudden darkness, loud noises and frightening imagery. 


We are seeking artists to help with the development of Kaidan Project which begins this August with a reading in West Hollywood and continues Fall 2016 in a site-specific performance experiment in the Japanese Gardens in Van Nuys. There is a small honorarium for artists involved in both the reading and workshop and the hope is that participants will remain involved through the premiere of the work in Fall 2017. Kaidan Project will include community events/engagement examining the traditional ghost stories through a modern lens and will feature puppet, mask and traditional folk art workshops. 


‘Kaidan Project’ - dates and info
Reading - August 6th @ 8pm and 7th @ 2pm, 2016
City of West Hollywood - Plummer Park
Rehearsals August 1st - 6th 
Honorarium $50


Workshop - Fall 2016
Van Nuys - Japanese Garden
Honorarium $100


Additional workshops and rehearsals will be planned in preparation for the premiere in Fall 2017 in Little Tokyo. 


We are looking for a fearless diverse group of artists to realize this project: 
Any age or ethnicity
All experience levels in theater, music, performance art and artists who have performed at haunted houses or scare attractions
Artists that sing, dance or can play unique instruments
Great collaborators and artists who understand the challenges of creating a new work
Physical theater, movement (puppeteers, mask performers) experience preferred but not required
People interested in the paranormal


Submission Instructions: 
Fill out the form and submit - Photo, resume, brief introduction, share a favorite ghost story or experience you’ve had and why you are interested in this project. 


Submission Form - http://www.rogueartists.org/kaidan-project-artist-submission/ http://www.rogueartists.org/kaidan-project-artist-submission/ 


‘Kaidan Project’ is supported by the City of Los Angeles Cultural Affairs Department, Los Angeles County Arts Commission, City of West Hollywood Arts Commission, Japanese Garden in Van Nuys and the Jim Henson Foundation. 


Rogue Artists Ensemble - http://www.rogueartists.org http://www.rogueartists.org 
Rogue Artists Ensemble is a unique American theatre ensemble that is focused on design. Our original plays use an arsenal of international storytelling techniques which include puppets, masks, theatrical magic, projection, sophisticated technology, audio sampling, dance and more to create an unforgettable and totally different kind of experience for young and old alike. Our goal by using this varied approach is to attract a new generation of theatergoer who has come to expect more in this tech savvy world. 


East West Players - http://www.eastwestplayers.org http://www.eastwestplayers.org 

Established in 1965, East West Players has been hailed as the nation’s leading Asian American theater troupe for our award-winning productions that blend Eastern and Western movement, costumes, language, and music. EWP has premiered more than 100 plays and musicals about the Asian Pacific American experience and has held more than 1,000 readings and workshops. EWP continues to provide unique opportunities for Asian-American artists and is committed to advocating for more diverse representations of the Asian-American experience on TV and across all media. 

Opportunity: Current:LA

As part of CURRENT:LA Water - Public Art Biennial is a temporary public art initiative-, the City of Los Angeles Department of Cultural Affairs (DCA) is offering an open call opportunity for LA’s local neighborhoods to host or list concurrent events relating to water to create this summer’s dialogue on and around the topic of water. Your event will be considered for listing on the online calendar of citywide events that will take place during CURRENT:LA from July 16-August 14.
Events will be eligible to be listed on our website calendar, currentla.org, when the calendar launches in late June 2016.
Here are the requirements:
+ Events must be based in City of Los Angeles
+ Organization or group with a documented track record producing public events
+ Events must have a venue and permission to use it
+ Must include water as a theme or topic
+ Events can be ticketed or free
+ Events must be self-organized and self-funded
+ Event categories can include: ART, FILM, MUSIC, PERFORMANCE, LITERARY, WORKSHOP, FAMILY-FRIENDLY, MOBILE
Events are accepted on a rolling basis and must be submitted for consideration no later than June 15, 2016. Submission of an event via this form does not guarantee listing on the CURRENT:LA website. We will let you know when your event is accepted.
Submit here 

 

Call For Proposals: Feminist Art Project Day @ CAA Conference 2017

 The 11th Annual Feminist Art Project Day of Panels at The College Art Association Conference
 
CALL FOR PROPOSALS: PANELS, PERFORMANCES, ROUNDTABLES AND CONVERSATIONS
 

Topic: Crossroads: Art + Native Feminism
Location: Museum of Arts and Design, New York City
Date: Saturday, February 18, 2017
Submit proposals to: tfap2017@gmail.com
Deadline for proposals: June 15, 2016  
Coordinators: Jaune Quick-to-See Smith, Maria Hupfield, and Kat Griefen
    
Length/format of proposal: Include the names of the Indigenous knowledge carriers, the nations and communit(ies) speakers are accountable to, artists, art historians and/or curators you plan to include in the conversation/panel/performance as well as the topic(s) you wish to address. Submissions should be no more than 400 words. 

Crossroads: Art + Native Feminism is a dedicated day of panels including roundtables and discussions lead by Indigenous knowledge carriers, artists, community members, elders, academics and their accomplices on the topic of art and Native Feminism focused on North America. From the countless unnamed work produced by Native women and acquired by historical museums in service of colonial nation states around the world to Rebecca Belmore representing Canada at the Venice Biennale and Christi Belcourt's Anishinaabe Nation floral motif inspired designs on the haute couture runway of Valentino; Native women across the continent have a long established tradition in the visual arts that pushes against dominate patriarchal structures. Against the odds of systematic erasure of colonization and historically situated outside of mainstream Feminism the experience and knowledge of native women offer ranging perspectives conceptually better located at the center of the movement. Land recovery, self determination, and social relations based in respect and inherent dignity of all living beings from non-human to human, are a few examples that fluidity move across and between traditional and contemporary practices today. This call for proposals focuses on panels by and about indigenous women artists and their work from both in and outside the art gallery. 

Possible proposal topics may include colonial logics of gender, a history of mobilizing environment/social justice movements, new materialities and resurgent practices, trans-indigenous feminist standpoints, self-determination sovereignty or nationhood, modeling responsible approaches to collaboration, negotiating accountability and recognition within the gallery, empowerment through personal narratives, strategies to open/make space, survival throughout legacies of imperialism/institutionalized patriarchy/colonial hegemony, well-being and safety, reexamination of criminal jurisprudence, re-imagining native landscapes toward a Native feminist spacial practice, and violence perpetuated through erasures.

For more information about TFAP@CAA: http://feministartproject.rutgers.edu/tfap-at-caa/